Mary Heilmann “The All Night Movie”
September 29, 2022

Mary Heilmann “The All Night Movie” Reading
Otis Houston Jr.
November 3, 2022

Otis Houston Jr.

Performance and Book Launch
An abstract depiction of a jacket sculpted in metal. The jacket is decorated with darker metallic floral cutouts, as well as the shape of a necktie down the center of the work.
November 19, 2022–January 27, 2023

White Columns Online #22:
A Good Jawn
curated by Brittany Adeline King
Frontal view of two gallery walls. On the left wall, viewed head-on, hang two framed works. To the right of these works is a mannequin wearing a black dress topped with a headpiece of a giant stuffed hand. On the right wall hangs another small framed work.
January 20–March 4, 2023

Looking Back / The 13th White Columns Annual – Selected by Olivia Shao
A semi-transparent sculpture of an oversized insect with long, tentacle-like arms draping over the floor; the insect rests on its side, as if in sleep.
February 3–March 18, 2023

White Columns Online #23:
A Shapeshifter
with a Heavenly Secret
curated by Tamara Khasanova
Gallery view at an angle. Nearest to the viewer is a freestanding wall on which hang five small, detailed and colorful framed works. The largest work, hung in the center, is a circular painting matted in a square frame. It is flanked on both sides by two paintings hung one above the other. Twelve more works can be seen on the far walls.
March 14–April 29, 2023

Philip Van Aver:
Paintings, Drawings and Miniatures,
1978 – 2021
Gallery view at an angle. 18 envelopes are laid out in a vitrine, covered in colorful arrangements of stamps. On the wall behind, 17 photocopies of drawings are pinned to a wood baton. The drawings are sketches for the stamp arrangements realized in the works in the vitrine. On the left wall hang 5 more of these drawings, also pinned to wood.
March 14–April 29, 2023

Lolly Batty
View of three gallery walls. On the far wall, straight ahead, are three pastel drawings of the same size. On the left wall are nine more pastel drawings, all the same size and hung in two rows. On the right wall are four more pastel drawings hung in two rows. The works are all figurative, mostly showing scenes from the artist’s daily life.
March 14–April 29, 2023

Camille Holvoet
A framed photograph of a person lying on an ornate rug, eyes met to the camera.
April 13–May 27, 2023

White Columns Online #24:
Dwelling 
curated by Mihaela Chiriac
Centered view of three walls in a gallery, hanging on the wall to the left are three various shaped paper sculptures. The corner of the back left wall stands a life sized paper sculpture of similar material. On the back wall hangs two paper mask sculptures. In front of the wall to the right is a freestanding paper sculpture of a figure.
July 13–August 26, 2023

Carol Bruns
Angled view of a freestanding gallery wall displaying five drawings of architecture and a drawing of a fire extinguisher. Above the fire extinguisher hangs a small poem. On the back wall to the left hangs a blue reflective mixed media piece with cat ears. Behind the freestanding wall to the right is a large green painting of two bicycle wheels.
July 13–August 26, 2023

Everette Ball
Forward facing view of three gallery walls. On the front facing wall straight ahead is a large painting depicting a face, a set of arms and two cats in bed below two large spirals. On the wall to the left are two paintings, the one to the left is a small two panel blue and gold painting and to the right of it is a larger green painting including two wheels. On the right wall are two pieces resting on a bench and leaning against the wall including a wooden work in the shape of legs and a painting of a chair. To the bottom left is a sculpture resembling a chair similar to the chair painting on the right wall.
July 13–August 26, 2023

Pol Morton / Sara Murphy
Richard Hell Reading
July 6, 2023

Richard Hell and Emily Simon
Reading and Book Signing
Forward-facing view of a gallery. In the vitrines closest to the viewer are 23 pieces of ephemera related to Barbara Ess’ exhibitions. On the wall with the archway hangs 10 pieces of varying themed works. Towards the back are two rows of vitrines. One row stands against the wall and one extends through the gallery at an angle. On the wall behind both vitrines, 12 posters from various music performances hang on the wall, all varying in size, color and content. In front of the wall to the right are two vitrines holding a variety of material, behind it are 4 wall pieces.
September 12–October 21, 2023

Barbara Ess – Archives
(View of a gallery at a slight angle. Nearest to the viewer is a papier-mâché sculpture of two nearly lifesize figures of an older woman and a younger woman embracing in a hug. Further behind them is a nearly lifesize sculpture of two men standing in front of a grill.)
September 12–October 21, 2023

Piero Penizzotto
A photograph of a horizontally-hung sculpture of a long, skinny scrap of metal which is bent and creased.
October 3–November 10, 2023

White Columns Online #25:
Like a museum filled with things and bones 
curated by Rachel Vera Steinberg
(A forward facing view of a freestanding gallery wall. Mounted to the wall with hangers are three pieces of business attire, all modified in unique ways; for example, the gray blazer on the right has two holes cut into the chest. A painted shelf that wraps around the entire wall displays a variety of ephemera relating to Pippa Garner’s work. The wall in the background holds 12 small photographs and underneath is another shelf holding more ephemera.)
November 3–December 16, 2023

Pippa Garner
ACT LIKE YOU KNOW ME
(A head-on view of three white walls in a gallery, on which six paintings are hung. Three paintings are on the left wall, two are on the back wall, and one is on the right wall. The paintings are all roughly the same size and color palette, and all are portraits of women, painted from the shoulders up. The women all resemble one another and gaze at the viewer from various angles. All are painted on backgrounds of dark blue or green.)
November 3–December 16, 2023

Na Kim
A colorful drawing depicting a medieval landscape teeming with mythical creatures and personified animals. In the foreground is a gray cat wearing yellow knight armor and riding a unicorn. The cat's gaze meets the viewer while holding a red flag with a written message. The cat is accompanied by five mice, also wearing armor, as well as a mouse fairy princess. In the background are two distant castles across a grassy plain, the sun peering just behind the castle to the right.
November 29, 2023–January 10, 2024

White Columns Online #26:
Joan of Arc and her Unicorn
curated by Daisy Sheff
North west view of the main gallery. Directly ahead is the north white wall, which has 4 paintings of various sizes installed on it. To the right, a white wall partition divides the east and west side of the main gallery; 3 pieces of art are hung on the visible side of the wall. To the left is the west, white wall, which has a large, arched entryway. To the right of the entryway is a large, square painting, and to the left of the entryway is a large sculpture of a dollhouse balanced on top of a ceramic pot, which stands on top of a wooden pedestal.
January 19–March 2, 2024

Looking Back / The 14th White Columns Annual – Selected by Randy Kennedy
Gary Simmons: Disinformation Schoolroom
November 16–December 16, 1990

Gary Simmons
Disinformation Schoolroom 
Fred Tomaselli: Deep End
May 29–June 30, 1991

Fred Tomaselli
Deep End
January 11, 1973 Thomas Dan, Paul Cara: Performance
Spring 1973

Zadik Zadikian
Winter 1973

Richard Nonas
Other Drawings
Anarchitecture Show
March 9–20, 1974 Anarchitecture Show
March 17–18, 1974

David Lee
Music Concert
March 24–25, 1974

Richard Peck
Music Concert
November 2–14, 1974 Zadik Zadikian
Austin Moule, Space Mask, 2021 Oil on canvas, 24 × 20 in. Courtesy of the artist. (A painting of a lunar surface that is reminiscent of a face mask with two black holes for eyes and a black oval hole for the mouth. The ‘face’ is in a valley with curvy mountain edges surrounding it. The eye hole to the left is on a mountain, which makes it look like a volcano.)
March 15, 2024–May 4, 2024

White Columns Online #27:
Winter Moon
curated by What Pipeline
The Natural History of the American Dancer: Performance
May 2–3, 1975

The Natural History of the American Dancer: Performance
Vince Aletti, installation view, 2024. (A head-on view of a white-walled gallery with five tables protruding from the walls. On the furthest wall, a book sits on a shelf with a stool in front.)
March 22–May 4, 2024

Vince Aletti – The Drawer
Veronica Ryan, installation view, 2024. (Front gallery view. Thirteen similar textile and elastic band sculptures are shown hanging on the wall. The sculptures are all made in the same process—similar to how fabric is prepared for tie-dying—but each is unique in color and shape. The sculptures are hung at different heights in a salon-like arrangement.)
March 22–May 4, 2024

Veronica Ryan – Collective Moments
Presented in collaboration with
Camden Art Centre, London
Carole Gibbons, installation view, 2024. (Angled view of a freestanding gallery wall, where a large colorful painting of a woman holding an orange cat hangs in a wooden frame. In the background, four brightly colored paintings are visible on the north main gallery wall, which appear mostly abstract at this distance. All the paintings are framed and hung within a painted white square on the gray gallery walls.)
March 22–May 4, 2024

Carole Gibbons
Alec Nicolescu and Jerry Vis: Survival 4
March 13–18, 1976

Alec Nicolescu and Jerry Vis
Survival 4

Barry Ledoux: Drawings
March 20–April 8, 1976

Barry Ledoux
Drawings
April 17–29, 1976

Kathy Bigelow
Gerry Morehead
Mitch Corber

Lawrence Kucharz
Winter Street Scenes
A black and white painting of two elongated white spheres with an eyeball in each, which look like eggs with eyeballs where the yolks should be. These are set against a black background with a white border at the top and a smaller white border at the bottom.
June 4–July 16, 2024

White Columns Online #28:
Lookers
curated by Marie Catalano
A view of two walls in a gallery. On the rear wall are a series of five abstract paintings, all on irregularly shaped canvas. On the freestanding wall closer to the viewer are three wall-mounted sculptures. The sculpture in the center is rectangular and made of yellowed soap. It is flanked by a smaller cement sculpture in the shape of a box with a side missing on the left; to the right protrudes a small cement shelf on which rests two octahedrons made of soap. Between the two walls is a pedestal, on which rests a small sculpture of a soap cube.
July 12–August 24, 2024

REGISTERED / 2024

Michaela Bathrick

Ali Bonfils

Joseph Brock

Eleanor Conover

Donyel Ivy-Royal

Ryan Strochinsky
An angled view of a freestanding white wall in a gallery to the right, with two large windows to the left. On the windows are black vinyl appliques, oriented to face out towards the street. The vinyl on the right is the symbol for the band Crass, a combination between an ouroboros and a cross symbol. To the left is backwards text which reads: LOVE IS ALL OR LOVE IS NOT AT ALL. On the left wall is a line of small artworks all in black frames, hanging above two vitrines full of ephemera.
September 12–October 26, 2024

CRⒶSS OVER
Gee Vaucher: Crass & Beyond
White Columns Online #29 curated by Adam Marnie
September 24–November 5, 2024

White Columns Online #29:
Postcards from the Edge of Time
curated by Adam Marnie
A view of three walls in a gallery. Stretching across all three walls is a series of photographs, hung in clusters at varying heights and distances from one another, with printed text components arranged alongside the images. A long line of small cyanotype prints connects the “clusters” of images. On the far left wall is a larger color photograph of a college graduation. Installed on the floor in the middle of the room is a sculpture of a yoga mat printed with negative images of a person; atop this yoga mat is the outline of a person’s body made in steel, doing a push up on the yoga mat.
November 8–December 21, 2024

Rachel Handlin
strangers are friends I haven’t met yet
A view of a series of abstract sculptures and drawings hung on and around several white walls in a gallery. To the left on the rear wall are two horizontally-oriented colorful abstract drawings on large sheets of white paper. Two abstract sculptures made of paper, wood and glazed ceramic are installed on the floor. An abstract sculpture composed of wood, glazed ceramic and paper shapes is installed on the freestanding wall to the right.
November 8–December 21, 2024

Francesse Dolbrice
8
White Columns Online #30 curated by Sanna Almajedi
November 15–December 27, 2024

White Columns Online #30:
Bricks of Memory, Fragments of Home
curated by Sanna Almajedi
An angled view of artworks installed in a gallery. Closest to the viewer is a stone sculpture of the head of a fanged mythical beast. On the walls behind hang several paintings and framed drawings flanking a large, weathered abstract painting on canvas and an assemblage sculpture of a lamp made out of a coat rack.
January 17–March 1, 2025

Looking Back / The 15th White Columns Annual – Selected by Elisabeth Kley
Haley Mellin, CH 15.4684°N, 90.7782°W, 2022. Gouache on canvas in artists frame, 31.75 x 21.75 in. (An abstract painting with blue green paint strokes. The color is darker at the bottom and transitions into a very light blue at the top without forming a gradient.)
January 31–March 14, 2025

White Columns Online #31:
Indirect Address
curated by Katharina McCarty
Relocation Benefit Exhibition
February 1–11, 1979

Relocation Benefit Exhibition
Artworks displayed across several white walls in a gallery. On the left wall are three framed photographs hung in a horizontal line; above the framed works is a long, unframed photograph that stretches across the entire left wall and extends onto the rear wall. A sculpture of a rectangular piece cut out of a car rests on a pedestal in the corner. To the right on the rear wall are three framed black and white photographs hung in a vertical line. Further to the right is a freestanding wall covered entirely in a vinyl photo mural of a man cutting into a graffiti-covered van with a blowtorch. A vitrine containing ephemera is positioned against this wall.
March 20–May 17, 2025

GORDON MATTA-CLARK:
NYC GRAFFITI ARCHIVE 1972/3
A painting of three naked people leaning back on their arms on grass looking out across the water at several mountains. The painting is done in thick, heavy brushstrokes so that the people’s shapes can barely be made out. The colors are muted, dark indigo and green.
April 2–May 14, 2025

White Columns Online #32:
Haven
curated by 5b
REALLIFE Magazine
May 11-26, 1982

REALLIFE Magazine
Romantic Conventions Reordered
April 30–May 23, 1987

Romantic Conventions Reordered
Spring Film at White Columns
May 7, 14, 21, 28–June 4, 11, 1987

Spring Film at White Columns
Gallery view at an angle. Nearest to the viewer, a sculpture of an abstractly painted dresser drawer rests atop a plinth; painted black text on the drawer’s side reads “OF DEATH.” On the center free-standing wall hangs a large abstract painting. Installed on the floor to the left, a painted sandwich board reads “WHAT PART OF KEEP OUT.” On the rear wall hang six smaller paintings with painted text.
November 10–December 17, 2022

Cay Bahnmiller
Front gallery view. A diverse array of posters and artwork are hung against a vibrantly-colored geometric-patterned wall covering, full of reds, greens, blues and yellows. White table vitrines display selected Pre-Echo Press titles such as (from left to right): Eclipse Body & Soul Syntax by Nick Relph, Ken Tisa: Objects Time Offerings, Eclipse Body & Soul Syntax by Ken Tisa, and Gay Areas Telephone Directory.
November 10–December 17, 2022

Other People’s Projects: Pre-Echo Press
Three sculptures in a gallery. One sculpture rests on a shelf against the back wall and is a bust of a person with painted white lips and eyes, a red collar and rhinestone earrings. On the table in the foreground, one sculpture depicting Gordon Parks is shirtless and holding a camera. To the right is a sculpture of a trumpet-playing figure wearing a straw hat and yellow suit.
July 8–September 10, 2022

Dr. Charles Smith
Gallery view captured at an angle. Two textile works are hanging on the wall to the left. Similar in design, they are constructed of found materials such as worn fabrics and rope, and decorated with quilted pattern squares covered in silver metallic paint. On the adjacent back wall, one sizable woven mat piece is hung. Finally, two pieces are displayed on the floor constructed of concentric circles in woven patterns with thicker woven sisal at the edges.
November 10–December 17, 2022

White Room: Sophie Stone
Gallery view of paintings and collages on parallel walls, and two large pieces are on the back walls. The colorful works embrace patterns and decoration while drawing inspiration from dreams, folklore, and childhood memories. A bust constructed of plaster and oil is displayed on the right.
September 23–October 29, 2022

White Room: Karen Barbour
Gallery view of two walls. The wall on the left is freestanding in front of the back wall. Installed on the floor by the front wall is a multi-panel work depicting abstract and figurative images. On the back wall are four tie-dyed and screen-printed silk wall hangings with text and abstract images. From left to right, in hand-drawn capital letters, they read: “African Bird Dynasty,” “Order Justice Domination,” “Life in memory with art and nature,” and “The same but different.”
September 23–October 29, 2022

Ntiense Eno-Amooquaye
African Bird Dynasty
Gallery view of diverse ceramics sits on yellow shelves on a yellow wall. The lower shelves contain smaller abstract pieces such as animals, and items such as cups, plates, and soap dishes. The high shelves contain larger pieces such as plates, vases, and interpretations of modern monuments.
September 23–October 29, 2022

Project: Ceramics Club
CC22
A painting of two figures seated around a pink table set with a kettle, mug and ashtray. The figure to the left is holding a lit cigarette.
August 12–October 15, 2022

White Columns Online #21:
The Feeling of Things
curated by Colleen Grennan
Installation view from "Karen Shaw: Everything I Know About the Number 112 Linguistically Speaking"
April 11–19, 1978

Karen Shaw
Everything I Know About the Number 112 Linguistically Speaking: An Entymological* Collection
March 28, 1972

Philip Glass Ensemble
Two children walk the runway of a gallery. The child to the left wears a pink and blue jumpsuit with the word “Marx”, a heart symbol, and the word “Pinocchio”. The child on the right sports a similar jumpsuit in red and blue with the word “Marx”, a heart symbol, and the name “Robin Hood”.
November 3–9, 2013

Rainer Ganahl
A vitrine display table containing Ailanthus seed pods. Above it 18 wall-mounted photographic prints depicting the Ailanthus tree are visible.
March 23–May 15, 2021 Project: Matthew Schrader “M. Obultra 3”
Richard Landry and Musicians
March 24–25, 1972

Richard Landry
Music at 112 Greene Street
Two ceramic bowls sit on separate pedestals of different heights. Fallen Angel is on the left and Narcissus on the right, both have white animal figures.
March 4–April 19, 2014

White Room: Karin Gulbran
Installation view from "Fragments, Parts, and Wholes: The Body and Culture"
Fragments, Parts, and Wholes: The Body and Culture
Installation view of "The Bulletin Board: Karl Holmqvist"‘Sympathy For The Devil Lyrics’
January 10–February 16, 2008

Karl Holmqvist
Invitation for "Ten Painters"
February 25—March 19, 1988 Ten Painters
Nine drawings of multi-colored buildings arranged on two walls of a gallery
November 16–December 21, 2013

Rocco Fama
Two side-by-side vertical panels show layered arrangements of intergenerational family photos. Some are singular portraits and others capture groups or pairs of people, and they vary between black-and-white and color images.
March 31, 2022–April 30, 2022

White Columns Online #20:
Bone Black
curated by Jenée-Daria Strand
A feminine figure with one hand raised, seated in a striped room beside a table with a large vase of orange flowers. Two spotted cats mill about the room.
June 11–July 25, 2015

Kate Manheim
A frontal view of a tripartite bulletin board encased in glass. It contains several poems written on paper decorated with children’s drawings that are hung with push pins. Various photographs and collages are arranged around the poems.
March 19–April 30, 2022

The Bulletin Board: Christine Shan Shan Hou
Playdate
June 14, 1972

Jim Burton
Sound Constructions
Multiple sculptures, framed works, and large photographs are installed in a gallery.
March 19–April 30, 2022

Lloyd Foster
Safe Journey
Poster for December 1981 Programs
December 1–13, 1981

Kathy Rusch: Island No. 172; Prairie Du Chien
Two adjacent white walls exhibit five vertical paintings. One painting is on the right, depicting a pond with lilies, vegetation, and reflections of buildings, and the four on the left wall portray various landscapes.
March 19–April 30, 2022

White Room: John Maclean
Sunday/Tuesday Morning at Imitation Headquarters
Sunday, March 26, 1972 and Tuesday, March 28, 1972 at 11:00am

Sunday/Tuesday Morning at Imitation Headquarters
Eight works installed to the left of the exhibition entrance. Two works hang on a freestanding white wall. Behind it are six additional works including a hanging garment.
January 22–March 5, 2022

Looking Back / The 12th White Columns Annual – Selected by Mary Manning
Detail view of Gaping Candle Tripod. A piece of brick affixed to a similarly shaped piece of plywood with yellow epoxy. A long wick extends from a wax-filled hole in the brick.
September 27–December 15, 2018

Katya Tepper
A dirty, rusted sink with a yellow tray and a green bucket in the left basin and water running from the faucet into the right. A white-pained stone wall is in the background, and cleaning tools, pipes, and cords surround the sink.
February 14, 2022–March 5, 2022

White Columns Online #19:
Fragments are the only forms I trust
curated by Louis-Philippe Van Eeckhoutte
Susan Sherman: Poetry Reading
April 8, 1972

Susan Sherman
Poetry Reading
From left to right, a ceramic vase on a white pedestal displays fabric flowers and a watercolor painting installed in the entrance of a gallery. In the back right, two sculptures depict an onlooking winged figure and a decorated pedestal with two hanging components.
October 30–December 18, 2021

Anne Chu
May 1971

Brenda Miller

Entryway to Stairwell
Performance view from "The Natural History of the American Dancer: 'Lesser Known Species'"
November 30, 1972

The Natural History of the American Dancer

Lesser Known Species
June 9, 1972

Kenneth King: The Sound of the Second Music
Nine paintings are installed salon style on a white wall to the right. One large painting is mounted to the wall on the left.
March 23–May 15, 2021

White Room: Daisy May Sheff
A Mountain Girl with Skyblue Teeth
July 9, 1971

Alan Sondheim and Mike Metz

Video Installations
Four paintings installed on a freestanding gallery wall. To the left, a painting details phallic patterns over a church focused landscape and pornographic scenery. To the right, two paintings themed around America present a bald eagle, the words USA, and the American flag. Centered on the right, a painting featuring a snake illustrates brick wall, anal beads, and country landscaping over a print of suggesting bodies. White boots displayed in plexi can be seen centered on the floor.
October 30–December 18, 2021

White Room: David Mramor
Rainbow Lilies Gangrene Blues
Deborah Hay: Circle Dances
April 24, 1972

Deborah Hay
Circle Dances
White Columns Online #16 curated by Bridget Finn
April 15–June 7, 2021

White Columns Online #16:
The Position of the Sun in the Sky
curated by Bridget Finn
Two decorative semi-circular metal grates with different patterns arranged to form a circle. Several long, thin cucuzza squash that are woven into the grates hang from the piece.
January 30–April 14, 2021

White Columns Online #15:
The Void
curated by Daisy Sanchez

 
Installation view of "Design Office with Kim Gordon - since 1980"
September 7–October 19, 2013

Design Office with Kim Gordon – since 1980
Field Coil
June 1971

Field Coil
A painting of a figure reading a newspaper at a round table decorated with floral patterns. The newspaper, titled “Sometimes: In Crisis Comes Hope,” is illustrated with a masked person raising a fist in protest. To the front of the seated figure is an ashtray containing a lit cigarette surrounded by smoke.
September 14–November 13, 2021

White Columns Online #17:
‘Vision 20/20’
curated by Marcelle G. Yhap
Frontal view of a white gallery wall. To the left, two planks of wood covered in sparse splotches of paint lean against the wall. They cross over each other to form an X shape. To the right, a hanging textile work depicts an image of Michael Jackson against a red background, with reversed text above that reads, “MICHAEL JACKSON, BAD.”
October 27–December 15, 2012

Joe Fyfe
A hand holds a rock pierced with a metal arrow protruding out towards a grassy suburban homefront.
November 13, 2021–February 10, 2022

White Columns Online #18:
GMT
curated by Sahal Hassan
Thirty six works of uniform size installed in a three by twelve grid on a gray wall. On the adjacent wall, a single piece of similar size is installed.
January 12–March 6, 2021

White Room: Julius Caesar Bustamante
Gallery view of a wall displaying sixteen White Columns Anniversary Editions. Two vitrines are placed in front of the wall, and to the right stand three mannequins, facing the window.
June 5–July 31, 2021

From The Archives:
White Columns & 112 Greene Street – 1970-2021 …
Installation view of "Joel Fisher: Three Aspects of Line Investigation"
March 22–29, 1975

Joel Fisher
Three Aspects of Line Investigation
White Room: Sarah Anne Lobb
September 15–October 28, 2006

White Room: Sarah Anne Lobb
William Scott Untitled, n.d.
March 10–April 18, 2009

William Scott

‘Good Person’
Gallery interior with a white column. Three wall-mounted mixed media collages and three clothed mannequins are visible.
March 23–May 15, 2021

Gerald Jackson
Invitation postcard for "John Bowman," "White Room: Ti Shan Hsu," "White Room: Karl Jones," "Performance: Susan Kouguell, with Kelley Hinman, Susan McDonald, Billy Scheffer"
February 28–March 24, 1984

John Bowman
Ralston Farina Zeitkunst Performance
February 6, 1973

Ralston Farina
Zeitkunst Performance
Installation detail
June 11–July 17, 2010

The Bulletin Board: Fluffers – Mark and Stephen Beasley
Glenda Hydler: Delivery of a Letter on Christmas Day to Judy Padow
December 25, 1971

Glenda Hydler
Delivery of a Letter on Christmas Day to Judy Padow
Installation view from "John Geldersma: Fetishes"
November 27–December 9, 1976

John Geldersma
Fetishes
Michael Patterson-Carver Abolitionist Demo 1850's
March 31–April 28, 2007

Harrell Fletcher introduces: Michael Patterson Carver
Installation view of Jimmy De Sana's "101 Nudes"
March 31–April 28, 2007

Jimmy De Sana
101 Nudes
March 21–June 20, 1971

Gordon Matta-Clark

Performance
Invitation from "John Jesurun: July 10 - 15, 1976"
July 10–15, 1976

John Jesurun
July 10 – 15, 1976
New Paintings: March 11 – 22, 1980
March 11–22, 1980

New Paintings: March 11 – 22, 1980
Installation view of "Jo Spence: Work (Part III), The History Lesson"
November 16–December 21, 2013

Jo Spence
Carmen Beuchat: Ice
December 8, 1972

Carmen Beuchat
Ice
Installation view of "Jody Pinto: Installation/Excavation"
October 6–27, 1979

Jody Pinto: Installation/Excavation
Invitation for "John Miller: Recent Drawings"
June 1–6, 1982

John Miller: Recent Drawings
Installation view of "Keep Floors and Passages Clear, curated by Tom Godfrey"
February 5–March 5, 2011

Keep Floors and Passages Clear, curated by Tom Godfrey
Three free standing sculptures and seven paintings installed in a gallery with a white column.
January 12–March 6, 2021

Jeffrey Meris
Still Standing
Light Rock, installation view
January 25–February 16, 1980

John Stascak: Light Rock
Installation view
June 11–July 17, 2010

White Room: Keith Boadwee, Erin Allen, Isaac Gray
Invitation postcard for "Kevin Boyle & Patrick McCarthy"
November 6–21, 1982

Kevin Boyle & Patrick McCarthy
Two display cases filled with printed matter against two adjacent walls in a gallery. One framed image is on each wall and a wooden stool with a stack of books on top is slightly out of frame to the right
November 16–December 21, 2013

‘Design by John Cheim’
Performance view from "John Van Saun: 'Performances'"
September 29, 1977

John Van Saun
Performances
Installation view of "The Bulletin Board: Kevin Killian"
October 27–December 15, 2012

The Bulletin Board: Kevin Killian
Invitation from "John Van Saun: Installation"
January 3–13, 1977

John Van Saun
Installation
Poster for September 1981 Programs
September 9–20, 1981

Kiki Smith and Ellen Cooper: Paintings
Installation view from "Killing Time"
September 5–October 10, 1997

Killing Time
Dieter Froese Media Transient
May 5–17, 1973

Dieter Froese
Media Transient
The large triptych Gumiho Reaper (RIP Yu Gwan Sun + Na Hye Sok), 2017. Scenes depicting an oil barrel, a body bag, police tape and a large fox-like mechanical monster.
January 23–March 7, 2020

Kim Westfall

Splendid Bitch
May 1971

Michael Krugman

Installation
Installation view of Dieter Froese's "Installation '90 Degree Re-Stage/Loop' A(Dina) B(Carol)" from "Kirsten Bates, Bill Beirne, Dieter Froese, Ana Mendieta, and Virginia Piersol"
February 21–March 4, 1976

Kirsten Bates, Bill Beirne, Dieter Froese, Ana Mendieta, and Virginia Piersol
Installation view from "Joseph Egan: Constant for the Place on Mars"
September 25–October 7, 1976

Joseph Egan
Constant for the Place on Mars
Kirsten Hawthorne: 1 Night – 3 Performances
November 29, 1980

Kirsten Hawthorne: 1 Night – 3 Performances
December 14, 1972

Michael Reisman
Music Concert
Invitation for "Kris Hodson: Photographs"
September 15–October 11, 1981

Kris Hodson: Photographs
Josephine Meckseper
Kristan Horton Still from "Cig2Coke2Tin2Coff2Milk" (2006)
April 3–May 2, 2008

White Room: Kristan Horton
March 2, 1973

Nancy Lewis and Barbara Lloyd (Dilley)
Dance
Invitation from "Kyra and G.L. Sullivan: The '77 Beard"
April 30, 1977

Kyra and G.L. Sullivan
The ’77 Beard
Ned Smyth: Sculpture
March 1973

Ned Smyth
Sculpture
Invitation for "Larry Bell, John Chamberlain, Julia Fahey: Widelux"
May 22, 1979

Larry Bell, John Chamberlain, Julia Fahey: Widelux
Josh Brand Untitled
September 12–October 27, 2007

White Room: Josh Brand
Installation view of Francesc Torres' "Synchronic Attempts" from "Larry Miller, Angels Ribe and Francesc Torres"
January 17–29, 1976

Larry Miller, Angels Ribe, and Francesc Torres
Installation view of "Journey"
October 23, 1998

Journey
Installation view for "Mom-moon, Mom-me, Stones, Knives," 1973
December 15–17, 1973

Larry Miller
Mom-moon, Mom-me, Stones, Knives
Nicole Storm
August 28–October 16, 2021

White Room: Nicole Storm