John Jesurun
July 10 – 15, 1976

The artist painted the floors of the space white (the walls were already white) and mounted a light in the alley in the rear of the workshop; it shone through a window at an angle. He embedded two rows of arrows high along the walls on either side and suspended stuffed birds, as if in flight, in a curving line through the space headed toward the window and source of light.

Excerpted from Brentano, R., & Savitt, M. (1981). 112 Workshop, 112 Greene Street: History, artists & artworks. New York: New York University Press.