Eric Spencer
Words on my Mind

September 12–October 24, 2026
( A contemporary art gallery space with white walls, dark wood floors, small framed images in a row, a large photo on the left, and a window displaying WORDS ON MY MIND with trees and a street visible outside. )

Eric Spencer, installation view, 2026

( A minimalist gallery space with small framed artworks hung in a straight line on white walls and a large wall mural on the right showing part of the word FEAR. The gallery has dark wood floors and ceiling lights. )

Eric Spencer, installation view, 2026

( A white-walled gallery room displays a series of small, framed artworks evenly spaced in a single row on both walls. The floor is dark wood and ceiling lights illuminate the space. )

Eric Spencer, installation view, 2026

( Three small, square-framed photographs are evenly spaced on a plain white gallery wall. Each photo features a different image, but the details are not clearly visible from this distance. )

Eric Spencer, installation view, 2026

( Three small framed artworks hang on a plain white wall, evenly spaced in a horizontal row. Each frame contains a different image or design, but details are not easily visible from this distance. )

Eric Spencer, installation view, 2026

( A large photograph shows a boy in a yellow shirt and jeans standing on a red platform outdoors, next to oversized white letters spelling FEAR. The scene appears in an art gallery with other artworks visible in the background. )

Eric Spencer, installation view, 2026

( A person in a white mask holds a fake rose, standing behind a large yellow The Phantom of the Opera sign. Shelves, books, and blinds are visible in the background. )

Eric Spencer, Untitled (The Phantom of the Opera), n.d. Vintage color photograph, 3.5 × 5 in

( Large blue letters on a brown wooden door read KEEP DOOR LATCHED. The door has horizontal slats and a latch is visible on the right side. Some green and yellow foliage is seen through a window. )

Eric Spencer, Untitled (Keep Door Latched), n.d. Vintage color photograph, 3.5 × 5 in

( A man in a striped shirt sits before a window decorated with cut-out letters reading WHATS MY PART and two paper fish. The lighting is warm and vintage. )

Eric Spencer, Untitled (What’s My Part), n.d. Vintage color photograph, 3.5 × 4.5 in

Press Release

Opening Reception: Saturday, September 12, 2026, 5-8pm

White Columns is pleased to present Words on my Mind, a solo exhibition by New Jersey-based artist Eric Spencer (b. 1969). The exhibition focuses on photo documentation of Spencer’s early cutout text works, made between the late 1980s and early 1990s, which were taken by the artist’s mother Doris Spencer in and around their home in rural New Jersey.

Spencer’s work is marked by a profound fascination with alphabetical characters, an affinity that developed very early in his life. As a toddler, Spencer displayed traits of hyperlexia, learning to recognize and read aloud letters and words from ambient text like license plates and juice cartons before he truly began to talk. He spent hours playing quietly with his favorite toys, magnet letters, moving them around a magnetic board. As a young child Doris recalls him fashioning “letters out of Play-Doh and food and even out of men’s long socks,” overcoming his fear of a swimming pool by placing his magnetic letters on the ladder before jumping in, and writing short stories personifying alphabetical and numerical symbols who had familiar adventures like playing in the park and going to the market.

In his early teens Spencer began to create cutout text installations with materials available around the house: construction paper, Styrofoam and Scotch tape. These elaborate installations borrowed phrases from his own life, including notes picked up around his family’s home and titles of favorite albums, films and television shows. Spencer would freehand cut letters in one of the dozens of fonts he has memorized, and create highly accurate reproductions of logos including fonts, symbols, and imagery. The paper cutouts were then arranged in a web of Scotch tape and often suspended from his bedroom ceiling, hanging in midair like the opening credits of a film. These fleeting installations typically existed no more than a day. Doris documented those she could with a 35mm camera, and Spencer himself often made an appearance in the frame. Though they never discussed his motivations, she later reflected that Spencer had “captioned his life.” This collaboration ended when Spencer moved to his own home in his 20s.

Eric Spencer continues to work as an artist in watercolor and ceramic, and makes cutout text for himself, family and friends, and community events. Since 2023 Spencer has been an artist at Studio Route 29, a supported art studio centering the creative practices and perspectives of people with intellectual and developmental disabilities. His cut paper installations are the subject of the book 𝘔𝘺 𝘊𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘓𝘪𝘧𝘦 published by Beauty Books in 2024. An expanded edition is set for release in the Fall of 2026 in conjunction with this exhibition. His work has been included in group exhibitions at Beauty Gallery, Art Yard, FiNNBAR, and Flemington DIY, NJ, MAKE Studio, MD, and Walpole, ME, and his work has been featured as part of the Sincerely Summertime series at Summertime, NY.

White Columns would like to thank Eric and Doris Spencer and Studio Route 29 for collaborating with us on this exhibition. For more information please contact: info@whitecolumns.org.

Gallery hours: Tuesday – Saturday, 11am to 6pm

( A contemporary art gallery space with white walls, dark wood floors, small framed images in a row, a large photo on the left, and a window displaying WORDS ON MY MIND with trees and a street visible outside. )
( A minimalist gallery space with small framed artworks hung in a straight line on white walls and a large wall mural on the right showing part of the word FEAR. The gallery has dark wood floors and ceiling lights. )
( A white-walled gallery room displays a series of small, framed artworks evenly spaced in a single row on both walls. The floor is dark wood and ceiling lights illuminate the space. )
( Three small, square-framed photographs are evenly spaced on a plain white gallery wall. Each photo features a different image, but the details are not clearly visible from this distance. )
( Three small framed artworks hang on a plain white wall, evenly spaced in a horizontal row. Each frame contains a different image or design, but details are not easily visible from this distance. )
( A large photograph shows a boy in a yellow shirt and jeans standing on a red platform outdoors, next to oversized white letters spelling FEAR. The scene appears in an art gallery with other artworks visible in the background. )
( A person in a white mask holds a fake rose, standing behind a large yellow The Phantom of the Opera sign. Shelves, books, and blinds are visible in the background. )
( Large blue letters on a brown wooden door read KEEP DOOR LATCHED. The door has horizontal slats and a latch is visible on the right side. Some green and yellow foliage is seen through a window. )
( A man in a striped shirt sits before a window decorated with cut-out letters reading WHATS MY PART and two paper fish. The lighting is warm and vintage. )

Eric Spencer, installation view, 2026

Eric Spencer, installation view, 2026

Eric Spencer, installation view, 2026

Eric Spencer, installation view, 2026

Eric Spencer, installation view, 2026

Eric Spencer, installation view, 2026

Eric Spencer, Untitled (The Phantom of the Opera), n.d. Vintage color photograph, 3.5 × 5 in

Eric Spencer, Untitled (Keep Door Latched), n.d. Vintage color photograph, 3.5 × 5 in

Eric Spencer, Untitled (What’s My Part), n.d. Vintage color photograph, 3.5 × 4.5 in