White Columns Online:
The Position of the Sun in the Sky
curated by Bridget Finn

April 13–June 7, 2021

Al Wong
Together We Stand, 2020
Polyester and sunlight
5 1/2′ × 4’H

 

Al Wong
Light is Up, 2016
Color Photographs
8’H × 12″W

Al Wong
Self Portrait, 2016
Color Photographs
3’H × 4’W

Fadi al-Hamwi
Irrational Loop of Dust, 2016
Cement
140 × 80 × 9 cm

Fadi al-Hamwi
Dysfunction, 2016
Cement, hair
15 × 10 × 2 cm

Hannah Leighton-Boyce
Persistent Bodies (detail), 2018
Salt, ceramic and steel core
Each form 160/200mm × 400/450mm

Hannah Leighton-Boyce
Down, through, and back again, 2019
Copper
1200mm × 1200mm (approx.)

Jesse Stecklow
Untitled (10:19:30), 2014
Clock Parts, clock guard, Carbograph 5 air sampler

Jesse Stecklow
Installation View from Trios at Retrospective, Hudson, 2014
Fly Tape

Kylie Lockwood
Installation image from Becoming a Sculpture at Simone DeSousa Gallery, 2019
Porcelain, unfired clay, steel and nail polish
Variable

Kylie Lockwood
Becoming a Sculpture (Image 6), 2019
Archival inkjet print and tape
16 × 12 in.

Kylie Lockwood
Becoming a Sculpture (Image 7), 2019
Archival inkjet print and tape
16 × 12 in.

Liz Linden
signs (Atlanta), 2014
Live phalaenopsis orchid
Dimensions variable

Martin Roth
In May 2017 I cultivated a piece of land in Midtown Manhattan nurtured by tweets., 2017
wallpaper, soil, lavender, fluorescent lights
dimensions variable

Martin Roth
In July 2015 I shipped debris from the Syrian border to use as bird litter. (detail), 2017
wallpaper, soil, lavender, fluorescent lights
dimensions variable

Martin Roth
In July 2015 I shipped debris from the Syrian border to use as bird litter., 2015
debris, rescued parakeets, frogs, recorded sound
dimensions variable

Martin Roth
(detail), 2015
debris, rescued parakeets, frogs, recorded sound
dimensions variable

Martin Roth
(detail), 2015
debris, rescued parakeets, frogs, recorded sound
dimensions variable

Robert Rhee
Occupations of Uninhabited Space / Year Six / CHMP, 2018
Cultivated gourd, mild steel
10 ¼ × 9 × 9 ½ in.

Robert Rhee
Frieze (fragment), 2016
Gourd-sherds, dowels, staples, copper wire
19 × 13 ½ × 9 ½ in

Robert Rhee
Untitled, 2018
Mild steel, cultivated gourd
9 ½ × 7 × 9 ½ in. (bottom piece) 2 ½ × 2 ½ x

Ryo Tomoda
Chinatown 3/23 – 6/17, 2020
Found objects, fishing lines, wall pins
Variable

Ryo Tomoda
McKinlock Room-Western Art Section, Heritage Museum of Asian Art, 2020
Sumi ink on paper, marker on plastic bags
Variable

Ryo Tomoda
A Set within, 2020
Hair bands, metal pins
80 × 70 × 5 inches

Al Wong
Together We Stand, 2020
Polyester and sunlight
5 1/2′ × 4’H

 

Al Wong
Light is Up, 2016
Color Photographs
8’H × 12″W

Al Wong
Self Portrait, 2016
Color Photographs
3’H × 4’W

Fadi al-Hamwi
Irrational Loop of Dust, 2016
Cement
140 × 80 × 9 cm

Fadi al-Hamwi
Dysfunction, 2016
Cement, hair
15 × 10 × 2 cm

Hannah Leighton-Boyce
Persistent Bodies (detail), 2018
Salt, ceramic and steel core
Each form 160/200mm × 400/450mm

Hannah Leighton-Boyce
Down, through, and back again, 2019
Copper
1200mm × 1200mm (approx.)

Jesse Stecklow
Untitled (10:19:30), 2014
Clock Parts, clock guard, Carbograph 5 air sampler

Jesse Stecklow
Installation View from Trios at Retrospective, Hudson, 2014
Fly Tape

Kylie Lockwood
Installation image from Becoming a Sculpture at Simone DeSousa Gallery, 2019
Porcelain, unfired clay, steel and nail polish
Variable

Kylie Lockwood
Becoming a Sculpture (Image 6), 2019
Archival inkjet print and tape
16 × 12 in.

Kylie Lockwood
Becoming a Sculpture (Image 7), 2019
Archival inkjet print and tape
16 × 12 in.

Liz Linden
signs (Atlanta), 2014
Live phalaenopsis orchid
Dimensions variable

Martin Roth
In May 2017 I cultivated a piece of land in Midtown Manhattan nurtured by tweets., 2017
wallpaper, soil, lavender, fluorescent lights
dimensions variable

Martin Roth
In July 2015 I shipped debris from the Syrian border to use as bird litter. (detail), 2017
wallpaper, soil, lavender, fluorescent lights
dimensions variable

Martin Roth
In July 2015 I shipped debris from the Syrian border to use as bird litter., 2015
debris, rescued parakeets, frogs, recorded sound
dimensions variable

Martin Roth
(detail), 2015
debris, rescued parakeets, frogs, recorded sound
dimensions variable

Martin Roth
(detail), 2015
debris, rescued parakeets, frogs, recorded sound
dimensions variable

Robert Rhee
Occupations of Uninhabited Space / Year Six / CHMP, 2018
Cultivated gourd, mild steel
10 ¼ × 9 × 9 ½ in.

Robert Rhee
Frieze (fragment), 2016
Gourd-sherds, dowels, staples, copper wire
19 × 13 ½ × 9 ½ in

Robert Rhee
Untitled, 2018
Mild steel, cultivated gourd
9 ½ × 7 × 9 ½ in. (bottom piece) 2 ½ × 2 ½ x

Ryo Tomoda
Chinatown 3/23 – 6/17, 2020
Found objects, fishing lines, wall pins
Variable

Ryo Tomoda
McKinlock Room-Western Art Section, Heritage Museum of Asian Art, 2020
Sumi ink on paper, marker on plastic bags
Variable

Ryo Tomoda
A Set within, 2020
Hair bands, metal pins
80 × 70 × 5 inches