Richard Van Buren
Off the Wall
![Installation view for "Richard van Buren: Off the Wall," 1973](https://whitecolumns.wpenginepowered.com/wp-content/uploads/2020/08/98599_ca_object_representations_media_6884_original-745x750.jpg)
Richard van Buren, “Off the Wall,” installation view, 1973
![Installation view for "Richard van Buren: Off the Wall," 1973, recto](https://whitecolumns.wpenginepowered.com/wp-content/uploads/2020/08/47902_ca_object_representations_media_440_original-750x616.jpg)
Richard van Buren, “Off the Wall,” Untitled, polyester resin, fiberglass, pigements, installation view, 1973. Photo: Robert E. Mates and Paul Katz.
Exhibition Description
“For my first one-man show at 112, placed 55 sculptures around the space on the floor in 10 different groupings. The groups were determined by time: I showed 10 weeks of casting. I wanted the sculptures to break down the formal distance that exists between the viewers and the “Art”. I wanted the viewer to pick the pieces up in their hands so they could feel the weight and experience the piece with a wider range of physical involvement. I was also interested in how the viewer would change the location of the sculptures if there was no one to say, “Don’t touch.” Opening night, I placed cardboard on the floor in one area and asked Batya Zamir to dance using the sculpture.” [Richard Van Buren]
Excerpted from Brentano, R., & Savitt, M. (1981). 112 Workshop, 112 Greene Street: History, artists & artworks. New York: New York University Press.
Richard van Buren, “Off the Wall,” installation view, 1973
Richard van Buren, “Off the Wall,” Untitled, polyester resin, fiberglass, pigements, installation view, 1973. Photo: Robert E. Mates and Paul Katz.