Looking Back / The 11th White Columns Annual – Selected by Anne Doran

January 14–March 4, 2017
Fourteen selections from Hilton Al’s broadsheet publication After Dark installed along two adjacent walls beside the stairs in the lobby of a gallery.

Looking Back / The 11th White Columns Annual, installation view, 2017

Four works installed on two adjacent walls. From left to right: two colorful, minimal abstract paintings by Marcia Hafif, a painting by Denzil Hurley and a photograph by Sara Cwynar.

Looking Back / The 11th White Columns Annual, installation view, 2017

Four works installed along two adjacent walls. From left to right: two paintings by Raoul De Keyser, a sculpture of a head by John Farris and a wall sculpture by David Hammons of a rug with cigarettes interwoven. In the foreground is a freestanding sculpture by Jessi Reaves and Robert Bittenbender.

Looking Back / The 11th White Columns Annual, installation view, 2017

Five works installed along three adjacent walls: three to the left, one at the back, and one on the right. A sculpture is installed freestanding on a pedestal in the middle of the room.

Looking Back / The 11th White Columns Annual, installation view, 2017

Four works installed on two adjacent walls. To the left are works by Sylvia Plimac Mangold and Fred Sandback, and to the right are works by Liz Deschenes and Thornton Dial.

Looking Back / The 11th White Columns Annual, installation view, 2017

Three works installed along two adjacent walls. On a black table by the left wall is an art book by Cameron Rowland. Also on the left wall is a small ink drawing by Melvin Way. On the right wall is an abstract painting by Carol Rama.

Looking Back / The 11th White Columns Annual, installation view, 2017

Six framed photographs installed on two adjacent walls. The five on the right are by Zoe Leonard, and the one framed print on the left is by Luigi Ghirri.

Looking Back / The 11th White Columns Annual, installation view, 2017

Four works installed along walls in a gallery. From left to right: a painting by Carol Rama, a framed photograph by Leslie Hewitt, a video by Bas Jan Ader playing on a CRT monitor and a framed photograph by Luigi Ghirri.

Looking Back / The 11th White Columns Annual, installation view, 2017

A projection of Centinela by Silvia Gruner. A person at the edge of a circular pool watches what appears to be a large block of ice floating in the center.

Looking Back / The 11th White Columns Annual, installation view, 2017

Press Release

Participating artists include

Bas Jan Ader, Hilton Als, Sara Cwynar, Raoul De Keyser, Sara Deraedt, Liz Deschenes, Thornton Dial, William Eggleston, Nicole Eisenman, John Farris, Luigi Ghirri, Silvia Gruner, Marcia Hafif, David Hammons, Leslie Hewitt, Denzil Hurley, Susan Te Kahurangi King, Kinke Kooi, William Leavitt, Zoe Leonard, Sylvia Plimack Mangold, Carol Rama, Jessi Reaves and Robert Bittenbender, Cameron Rowland, Fred Sandback, Melvin Way.

White Columns is pleased to announce “Looking Back”, the eleventh installment of the White Columns Annual. For the past eleven years the exhibition has been a fixture on White Columns’ calendar. Each year, an individual or a collaborative team (e.g. an artist, a curator, a writer, etc.) is invited to organize an exhibition based on their personal experiences with art in New York during the previous year. For the eleventh ‘Annual’ exhibition artist and writer Anne Doran has made this year’s selection.

In a very straightforward way, the ‘Annual’ exhibitions hope to reveal something of the complexities involved in trying to negotiate – and engage with – New York’s constantly shifting cultural landscape. The format of the exhibition inevitably encourages highly subjective and personal responses to the realities of viewing art in New York. The ‘Annual’ exhibition series hopes to illuminate aspects of the specific, yet highly idiosyncratic networks – historical, social, aesthetic, etc. – that individuals follow in an expansive and increasingly fragmented cultural environment.

Through the re-contextualization of artworks encountered in other circumstances and contexts, the exhibition hopes to establish – albeit temporarily – a new ‘narrative’, a conversation, of sorts, amongst both artists and artworks that seeks to illuminate and/or explore certain underlying tendencies or connections that might otherwise have remained elusive or obscured. In re-thinking aspects of the (fairly) recent past the exhibition hopes to provoke something akin to a sense of déjà vu, establishing a scenario that is at once both reflective and forward thinking.

There are no restrictions as to what type of work can be included. The “Annual” exhibitions seek to eliminate any categorical or hierarchical distinctions we might place upon artworks (e.g. based upon the circumstances in which they were originally seen, or the seniority of an individual artist, etc.) The works included in the exhibition might have originally been encountered in exhibitions at galleries, not-for-profit spaces, or during visits to artists’ studios, etc.

Reviewing curator Bob Nickas’ ‘Annual’ in 2010, Holland Cotter wrote in The New York Times:

“One of the things that makes the White Columns annuals so valuable is that they often include artists … who are unlikely to find their way into mainstream institutions. A second, equally important function that “Looking Back” serves, or should serve, is to provide a view of contemporary art that is not entirely determined by art-industry consensus – meaning the market – but rather is seen through a single informed, idiosyncratic, even resistant sensibility.”

Previous Selectors for the White Columns Annuals

The inaugural ‘Annual’ exhibition in 2006 was selected by White Columns’ Director Matthew Higgs; the second in 2007 was selected by independent curator Clarissa Dalrymple; the third in 2008 was selected by curator and writer Jay Sanders; the fourth in 2009 was selected by Miriam Katzeff and James Hoff of Primary Information; the fifth in 2010 by curator and writer Bob Nickas; the sixth in 2011 was selected by the artists Ken Okiishi and Nick Mauss; the seventh in 2012/13 was selected by Artists Space curator Richard Birkett; the eighth in 2013/14 was selected by independent curator Pati Hertling; the ninth in 2015 was selected by Cleopatra’s– Bridget DonahueBridget FinnColleen Greenan, and White Columns’ Deputy Director and Curator Erin Somerville; the tenth in 2016 was selected by White Columns’ Director Matthew Higgs. The selector for the next Annual – to be held in January/February 2018 – will be announced shortly.

About Anne Doran

Anne Doran (b. 1957, Calgary, Alberta, Canada) is a New York-based artist and writer, and currently a senior editor at ARTnews. Her work has been exhibited widely since the early 1980s including solo exhibitions at 303 Gallery, New York (1988 and 1993); Galerie Philippe Rizzo, Paris (1992); and Invisible Exports, New York (2014 and 2017.) Her work has been included in group exhibitions at MoMA P.S.1, New York; The Kitchen, New York; Artists Space, New York; Centre Georges Pompidou, Paris; Tony Shafrazi Gallery, New York; and the Stedelijk Museum, Amsterdam, among others. Her current solo exhibition at Invisible Exports ‘Analogs’ is on view until 12 February 2017. Doran’s work was included in the 9th White Columns Annual selected by Cleopatra’s.

For further information about this exhibition contact: info@whitecolumns.org

Gallery hours: Tuesday – Saturday / Noon – 6pm.

White Columns / 320 West 13th Street (aka 2 Gansevoort) – enter on Horatio Street
New York / NY 10014 / 212-924-4212 / www.whitecolumns.org

Participating Artists

Bas Jan Ader
Hilton Als
Sara Cwynar
Raoul De Keyser
Sara Deraedt
Liz Deschenes
Thornton Dial
William Eggleston
Nicole Eisenman
John Farris
Luigi Ghirri
Silvia Gruner
Marcia Hafif
David Hammons
Leslie Hewitt
Denzil Hurley
Susan Te Kahurangi King
Kinke Kooi
William Leavitt
Zoe Leonard
Sylvia Plimack Mangold
Carol Rama
Jessi Reaves and Robert Bittenbender
Cameron Rowland
Fred Sandback
Melvin Way

 

Fourteen selections from Hilton Al’s broadsheet publication After Dark installed along two adjacent walls beside the stairs in the lobby of a gallery.
Four works installed on two adjacent walls. From left to right: two colorful, minimal abstract paintings by Marcia Hafif, a painting by Denzil Hurley and a photograph by Sara Cwynar.
Four works installed along two adjacent walls. From left to right: two paintings by Raoul De Keyser, a sculpture of a head by John Farris and a wall sculpture by David Hammons of a rug with cigarettes interwoven. In the foreground is a freestanding sculpture by Jessi Reaves and Robert Bittenbender.
Five works installed along three adjacent walls: three to the left, one at the back, and one on the right. A sculpture is installed freestanding on a pedestal in the middle of the room.
Four works installed on two adjacent walls. To the left are works by Sylvia Plimac Mangold and Fred Sandback, and to the right are works by Liz Deschenes and Thornton Dial.
Three works installed along two adjacent walls. On a black table by the left wall is an art book by Cameron Rowland. Also on the left wall is a small ink drawing by Melvin Way. On the right wall is an abstract painting by Carol Rama.
Six framed photographs installed on two adjacent walls. The five on the right are by Zoe Leonard, and the one framed print on the left is by Luigi Ghirri.
Four works installed along walls in a gallery. From left to right: a painting by Carol Rama, a framed photograph by Leslie Hewitt, a video by Bas Jan Ader playing on a CRT monitor and a framed photograph by Luigi Ghirri.
A projection of Centinela by Silvia Gruner. A person at the edge of a circular pool watches what appears to be a large block of ice floating in the center.

Looking Back / The 11th White Columns Annual, installation view, 2017 (Fourteen selections from Hilton Al’s broadsheet publication After Dark installed along two adjacent walls beside the stairs in the lobby of a gallery.)

Looking Back / The 11th White Columns Annual, installation view, 2017 (Four works installed on two adjacent walls. From left to right: two colorful, minimal abstract paintings by Marcia Hafif, a painting by Denzil Hurley and a photograph by Sara Cwynar.)

Looking Back / The 11th White Columns Annual, installation view, 2017 (Four works installed along two adjacent walls. From left to right: two paintings by Raoul De Keyser, a sculpture of a head by John Farris and a wall sculpture by David Hammons of a rug with cigarettes interwoven. In the foreground is a freestanding sculpture by Jessi Reaves and Robert Bittenbender.)

Looking Back / The 11th White Columns Annual, installation view, 2017 (Five works installed along three adjacent walls: three to the left, one at the back, and one on the right. A sculpture is installed freestanding on a pedestal in the middle of the room.)

Looking Back / The 11th White Columns Annual, installation view, 2017 (Four works installed on two adjacent walls. To the left are works by Sylvia Plimac Mangold and Fred Sandback, and to the right are works by Liz Deschenes and Thornton Dial.)

Looking Back / The 11th White Columns Annual, installation view, 2017 (Three works installed along two adjacent walls. On a black table by the left wall is an art book by Cameron Rowland. Also on the left wall is a small ink drawing by Melvin Way. On the right wall is an abstract painting by Carol Rama.)

Looking Back / The 11th White Columns Annual, installation view, 2017 (Six framed photographs installed on two adjacent walls. The five on the right are by Zoe Leonard, and the one framed print on the left is by Luigi Ghirri.)

Looking Back / The 11th White Columns Annual, installation view, 2017 (Four works installed along walls in a gallery. From left to right: a painting by Carol Rama, a framed photograph by Leslie Hewitt, a video by Bas Jan Ader playing on a CRT monitor and a framed photograph by Luigi Ghirri.)

Looking Back / The 11th White Columns Annual, installation view, 2017 (A projection of Centinela by Silvia Gruner. A person at the edge of a circular pool watches what appears to be a large block of ice floating in the center.)