White Room: Joo Chung

March 30–April 21, 1991
( Six small, separate paintings arranged on a white wall, featuring abstract surrealist imagery including a mouth, organic shapes, and the word LOST. )

Joo Chung, installation view, 1991

( Two large paintings hang on a white gallery wall next to a closed door, one featuring a cluster of red spheres and abstract forms, and the other depicting a figure adorned with leaves and the words NO and YES. )

Joo Chung, installation view, 1991

( Black and white abstract painting featuring a fragmented human face with layered, geometric features. )
( Black and white abstract painting featuring a fragmented human face with layered, geometric features. )
( A black-and-white painting featuring a central open mouth with visible teeth, set within an abstract, vine-like structure surrounded by birds and circular motifs. )
( A black-and-white painting featuring a central open mouth with visible teeth, set within an abstract, vine-like structure surrounded by birds and circular motifs. )

Checklist

( Six small, separate paintings arranged on a white wall, featuring abstract surrealist imagery including a mouth, organic shapes, and the word LOST. )
( Two large paintings hang on a white gallery wall next to a closed door, one featuring a cluster of red spheres and abstract forms, and the other depicting a figure adorned with leaves and the words NO and YES. )
( Black and white abstract painting featuring a fragmented human face with layered, geometric features. )
( A black-and-white painting featuring a central open mouth with visible teeth, set within an abstract, vine-like structure surrounded by birds and circular motifs. )

Joo Chung, installation view, 1991

Joo Chung, installation view, 1991

( Black and white abstract painting featuring a fragmented human face with layered, geometric features. )
( A black-and-white painting featuring a central open mouth with visible teeth, set within an abstract, vine-like structure surrounded by birds and circular motifs. )