White Room: Helen Rae

September 9–October 21, 2017
Seven framed works on paper installed in a row along three adjacent walls. All are rendered in a somewhat cubist style, often incorporating bright colors and extravagant settings.

Helen Rae, installation view, 2017

Six framed works on paper installed in a row on a white wall. All depict fashion models posing in various settings.

Helen Rae, installation view, 2017

Six framed works on paper installed in a row on a white wall.

Helen Rae, installation view, 2017

Two people wearing ornate patterned dresses and accessories pose in a park or garden. On one of the dresses the text “CHANEL” is visible.

Helen Rae

June 12 2017, 2017

Colored pencil and graphite on paper

24 × 18 inches

Two people seated in bed in an extravagantly decorated room. There is a plate with cake placed on the duvet. A maid in the corner seems to be entering or exiting the room.

Helen Rae

April 19 2017, 2017

Colored pencil and graphite on paper

24 × 18 inches

A figure wearing a heavily patterned jacket and pants, standing against a light gray background.

Helen Rae

June 16 2017, 2017

Colored pencil and graphite on paper

24 × 18 inches

A portrait of Rihanna decorated in extravagant jewelry and makeup.

Helen Rae

February 21 2017, 2017

Colored pencil and graphite on paper

24 × 18 inches

Two posing figures rendered in shades of black, blue, red and orange against a busy, multicolored background.

Helen Rae

November 23 2016, 2016

Colored pencil and graphite on paper

24 × 18 inches

A figure in a bright red dress standing with arms apart on a cylindrical platform against a backdrop of bookshelves and various wooden panels.

Helen Rae

August 26 2016, 2016

Colored pencil and graphite on paper

24 × 18 inches

Press Release

White Columns is proud to present the first New York solo exhibition by the Los Angeles-based artist Helen Rae (b. 1940). This will be only Rae’s second solo exhibition, following her widely acclaimed 2016 Los Angeles debut at The Good Luck Gallery.

Writing about Rae’s debut in the The Los Angeles Times, critic David Pagel observed: “The electrifying energy that pulses through her pictures gives form to a cosmos that is not anthropocentric. Humanists might be terrified by this perspective. It flies in the face of everything egotists live for. But it’s also thrilling. In the 18th century, philosophers described the combination of excitement and terror as sublime. Today, that term has fallen out of fashion. But it captures the alien beauty of Rae’s art. Her drawings have their roots in fashion magazines. She tears out full-page spreads and uses a pencil to roughly sketch their contours on sheets of paper. She then sets to work with colored pencils. Rae draws like she means it. Her colors are saturated and dense. Her lines decisive. The scarcity of shading gives her images uncompromising intensity. Her laser focus is vivid in the abundance of detail, particularly in the complex patterns of the fabrics she selects and edits, judiciously simplifying some elements and making others more complex, irregular, mind-blowing. Rae flattens volumes, collapses space and fractures planes in ways that make Picasso’s Cubism seem amateurish. So convincing is her vision of things that after looking at four or five drawings you feel like an alien — out of place in a world that shares significant features with everyday reality but is charged with a kind of sizzling energy that is both exhausting and intoxicating.”

Rae’s exhibition at White Columns will consist of a recent group of Rae’s dense, fragmentary colored pencil drawings produced over the past eighteen months, each derived and developed from a photographic image sourced from contemporary fashion magazines, including a series of six, based on a fashion editorial story featuring the singer and performer Rihanna.

Helen Rae is affiliated with First Street Gallery & Art Center, Claremont, CA, a studio and gallery program that supports a community of artists living and working with mental and developmental disabilities. Over the past twelve years White Columns has collaborated extensively with centers nationally and internationally that support the work of artists with disabilities, presenting the work of artists affiliated with these programs in individual and collective projects in New York and elsewhere. To learn more about First Street, visit: www.tierradelsol.org/programs/1st-street-gallery-art-center/

We would like to thank everyone at First Street Gallery Art Center, Claremont, CA; the Tierra del Sol Foundation; Paige Wery and Phoebe Millerwhite at The Good Luck Gallery, Los Angles; and Martin and Rebecca Eisenberg for their enthusiasm and support of White Columns’ presentation of Helen Rae’s work in New York.

For further information about this exhibition contact: info@whitecolumns.org

Seven framed works on paper installed in a row along three adjacent walls. All are rendered in a somewhat cubist style, often incorporating bright colors and extravagant settings.
Six framed works on paper installed in a row on a white wall. All depict fashion models posing in various settings.
Six framed works on paper installed in a row on a white wall.
Two people wearing ornate patterned dresses and accessories pose in a park or garden. On one of the dresses the text “CHANEL” is visible.
Two people seated in bed in an extravagantly decorated room. There is a plate with cake placed on the duvet. A maid in the corner seems to be entering or exiting the room.
A figure wearing a heavily patterned jacket and pants, standing against a light gray background.
A portrait of Rihanna decorated in extravagant jewelry and makeup.
Two posing figures rendered in shades of black, blue, red and orange against a busy, multicolored background.
A figure in a bright red dress standing with arms apart on a cylindrical platform against a backdrop of bookshelves and various wooden panels.

Helen Rae, installation view, 2017 (Seven framed works on paper installed in a row along three adjacent walls. All are rendered in a somewhat cubist style, often incorporating bright colors and extravagant settings.)

Helen Rae, installation view, 2017 (Six framed works on paper installed in a row on a white wall. All depict fashion models posing in various settings.)

Helen Rae, installation view, 2017 (Six framed works on paper installed in a row on a white wall.)

Helen Rae June 12 2017, 2017 Colored pencil and graphite on paper 24 × 18 inches (Two people wearing ornate patterned dresses and accessories pose in a park or garden. On one of the dresses the text “CHANEL” is visible.)

Helen Rae April 19 2017, 2017 Colored pencil and graphite on paper 24 × 18 inches (Two people seated in bed in an extravagantly decorated room. There is a plate with cake placed on the duvet. A maid in the corner seems to be entering or exiting the room.)

Helen Rae June 16 2017, 2017 Colored pencil and graphite on paper 24 × 18 inches (A figure wearing a heavily patterned jacket and pants, standing against a light gray background.)

Helen Rae February 21 2017, 2017 Colored pencil and graphite on paper 24 × 18 inches (A portrait of Rihanna decorated in extravagant jewelry and makeup.)

Helen Rae November 23 2016, 2016 Colored pencil and graphite on paper 24 × 18 inches (Two posing figures rendered in shades of black, blue, red and orange against a busy, multicolored background.)

Helen Rae August 26 2016, 2016 Colored pencil and graphite on paper 24 × 18 inches (A figure in a bright red dress standing with arms apart on a cylindrical platform against a backdrop of bookshelves and various wooden panels.)