Looking Back / The 9th White Columns Annual – Selected by Cleopatra’s

January 13–February 21, 2015 320 West 13th Street
Three framed works on brown paper installed on a wall.

Looking Back / The 9th White Columns Annual, installation view, 2015.

A large, sculptural work composed of two six point stars made from wood. On the stars various handprints, abstract patterns and text are painted. Some of the text reads: “Oranges,” “Red Vs. Green Cabbage,” “Ketchup,” “Honey,” “Green Vs. Black Tea,” “Cabbage,” “Brown Vs. White Rice,” “Bread,” “Milk,” “Green Vs. Red Apples”

Looking Back / The 9th White Columns Annual, installation view, 2015

A room with two freestanding stool-like objects. On the walls, two artworks are installed.

Looking Back / The 9th White Columns Annual, installation view, 2015

Three artworks installed along two adjacent walls: two on the left and one on the right. The work on the far left depicts a person underneath the tire of a car. The piece in the center is a painting of the Disney character Goofy, and the work on the right depicts an indeterminate shape against a vivid red background.

Looking Back / The 9th White Columns Annual, installation view, 2015

Three works installed on two adjacent walls: two on the left and one on the right. The work on the far left features the text “SAVE YOUR SOIL” in capital letters on a plain white background.

Looking Back / The 9th White Columns Annual, installation view, 2015

A number of works installed inside a gallery, including a neon sign, a video that plays on a flatscreen display, and a large mirror.

Looking Back / The 9th White Columns Annual, installation view, 2015

Ten works installed in two rows along adjacent walls. All works are made of patchworked fabric and are of uniform size.

Looking Back / The 9th White Columns Annual, installation view, 2015.

Two clear glass container-like objects containing illuminated images placed on top of a table in the middle of the room. Further behind, a painting of a white swan is installed on the wall.

Looking Back / The 9th White Columns Annual, installation view, 2015.

Press Release

“Looking Back” is the ninth installment of the White Columns Annual. The exhibition is now a fixture on White Columns’ calendar. Each year, an individual or a collaborative team (e.g. an artist, a curator, a writer, etc.) is invited to make an exhibition at White Columns based on their personal experience of looking at art in New York in the previous year. For the ninth ‘Annual’ exhibition, White Columns has invited the New York-based collective Cleopatra’s (Bridget Donahue, Bridget Finn, Colleen Grennan, Erin Somerville), to make the selection.

In a very straightforward sense, the ‘Annual’ exhibition hopes to reveal something of the complexities involved in trying to negotiate – and engage with – NewYork’s constantly shifting cultural landscape. The format of the exhibition inevitably encourages highly subjective and deeply personal responses to the realities of viewing art in New York. The ‘Annual’ exhibition series hopes to illuminate aspects of the specific, yet highly idiosyncratic  routes –geographical, intellectual, historical, social, etc. – that individuals follow in an increasingly expansive and fragmented cultural environment.

Through the re-contextualization of artworks encountered in other circumstances and contexts, the exhibition hopes to establish – albeit temporarily – a new ‘narrative’, a conversation, of sorts, amongst artists and artworks, that seeks to illuminate and/or explore certain underlying tendencies, conditions, or connections that perhaps might otherwise have remained elusive or obscured. In re-thinking the (fairly) recent past the exhibition hopes to provoke something akin to a sense of deja-vu, establishing a scenario that is at once both reflective and forward thinking.

There are no restrictions as to what type of work can be included. “Looking Back” seeks to eliminate any categorical or hierarchical distinctions we might place upon artworks (e.g. based upon the circumstances in which they were originally seen, or the seniority of an individual artist, etc.) These works might have been originally encountered in exhibitions at institutions, galleries, and not-for-profit spaces, or during visits to artists’ studios etc.

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Reviewing curator Bob Nickas’ ‘Annual’ in 2010 Holland Cotter wrote:

“One of the things that makes the White Columns annuals so valuable is that they often include artists … who are unlikely to find their way into mainstream institutions. A second, equally important function that “Looking Back” serves, or should serve, is to provide a view of contemporary art that is not entirely determined by art-industry consensus – meaning the market – but rather is seen through a single informed, idiosyncratic, even resistant sensibility.”

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Previous Selectors for the White Columns Annual

The inaugural ‘Annual’ exhibition in 2006 was selected by White Columns’ Director Matthew Higgs; the second in 2007 was selected by independent curator Clarissa Dalrymple; the third in 2008 was selected by curator and writer Jay Sanders; the fourth in 2009 was selected by Miriam Katzeff and James Hoff of Primary Information; the fifth in 2010 by curator and writer Bob Nickas; the sixth edition in 2011 was selected by the artists Ken Okiishi and Nick Mauss; the seventh in 2012/13 was selected by Artists Space’ curator Richard Birkett; the eighth in 2013/14 was selected by independent curator Pati Hertling.

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About Cleopatra’s

Cleopatra’s is a Brooklyn based exhibition space and curatorial collective founded in 2008. Current and founding members are Erin Somerville, Colleen Grennan, Bridget Finn, and Bridget Donahue.

Annual selection and research was compiled with the help of ARE.NA, a tool for building ideas.

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For further information about the exhibition please contact the gallery on (212) 924 4212 or at info@whitecolumns.org.

Participating Artists

Dennis Adams
Etel Adnan
Sam Anderson
Polly Apfelbaum
BFFA3AE
Sarah Charlesworth
Mike Cloud
Anne Doran
Koji Enokura
Peter Fend
Magdalena Suarez Frimkess
Charles Gaines
Guy Goodwin
Sheila Hicks
Gordon Hall
Van Hanos
David Hartt
Stanya Kahn
Annette Kelm
Josh Kline
Justine Kurland
Maria Lassnig
Louise Lawler
Robert Longo
Jeanette Mundt
Sigmar Polke
Mira Schendel
Trevor Shimizu
Greg Parma Smith
Frances Stark
Keiichi Tanaami
Malick Sidibé
Lily van der Stokker
Orlando Tirado – FLEX
Alex Waterman
Carrie Mae Weems
Eugene Von Bruenchenhein

Checklist

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Three framed works on brown paper installed on a wall.
A large, sculptural work composed of two six point stars made from wood. On the stars various handprints, abstract patterns and text are painted. Some of the text reads: “Oranges,” “Red Vs. Green Cabbage,” “Ketchup,” “Honey,” “Green Vs. Black Tea,” “Cabbage,” “Brown Vs. White Rice,” “Bread,” “Milk,” “Green Vs. Red Apples”
A room with two freestanding stool-like objects. On the walls, two artworks are installed.
Three artworks installed along two adjacent walls: two on the left and one on the right. The work on the far left depicts a person underneath the tire of a car. The piece in the center is a painting of the Disney character Goofy, and the work on the right depicts an indeterminate shape against a vivid red background.
Three works installed on two adjacent walls: two on the left and one on the right. The work on the far left features the text “SAVE YOUR SOIL” in capital letters on a plain white background.
A number of works installed inside a gallery, including a neon sign, a video that plays on a flatscreen display, and a large mirror.
Ten works installed in two rows along adjacent walls. All works are made of patchworked fabric and are of uniform size.
Two clear glass container-like objects containing illuminated images placed on top of a table in the middle of the room. Further behind, a painting of a white swan is installed on the wall.

Looking Back / The 9th White Columns Annual, installation view, 2015 (Three framed works on brown paper installed on a wall.)

Looking Back / The 9th White Columns Annual, installation view, 2015 (A large, sculptural work composed of two six point stars made from wood. On the stars various handprints, abstract patterns and text are painted. Some of the text reads: “Oranges,” “Red Vs. Green Cabbage,” “Ketchup,” “Honey,” “Green Vs. Black Tea,” “Cabbage,” “Brown Vs. White Rice,” “Bread,” “Milk,” “Green Vs. Red Apples”.)

Looking Back / The 9th White Columns Annual, installation view, 2015 (A room with two freestanding stool-like objects. On the walls, two artworks are installed.)

Looking Back / The 9th White Columns Annual, installation view, 2015 (Three artworks installed along two adjacent walls: two on the left and one on the right. The work on the far left depicts a person underneath the tire of a car. The piece in the center is a painting of the Disney character Goofy, and the work on the right depicts an indeterminate shape against a vivid red background.)

Looking Back / The 9th White Columns Annual, installation view, 2015 (Three works installed on two adjacent walls: two on the left and one on the right. The work on the far left features the text “SAVE YOUR SOIL” in capital letters on a plain white background.)

Looking Back / The 9th White Columns Annual, installation view, 2015 (A number of works installed inside a gallery, including a neon sign, a video that plays on a flatscreen display, and a large mirror.)

Looking Back / The 9th White Columns Annual, installation view, 2015 (Ten works installed in two rows along adjacent walls. All works are made of patchworked fabric and are of uniform size.)

Looking Back / The 9th White Columns Annual, installation view, 2015 (Two clear glass container-like objects containing illuminated images placed on top of a table in the middle of the room. Further behind, a painting of a white swan is installed on the wall.)