Willoughby Sharp
May 8–26, 1976 112 Greene Street/WorkshopExhibition Description
The artist, with the help of Kirsten Bates, used the workshop as a giant darkroom. He installed huge developing tanks and produced extremely large prints of an image of a hand holding two small steel balls.
Excerpted from Brentano, R., & Savitt, M. (1981). 112 Workshop, 112 Greene Street: History, artists & artworks. New York: New York University Press.