White Room: Emheyo Bahabba

March 18–April 22, 2017
Two works installed on adjacent walls: Charisma on the left and Essence on the right. Essence is an irregularly shaped painting depicting ghostly figures dancing through an abstract landscape. Charisma depicts a central figure or structure behind a white beam, with two floating clocks to its right.

Embah, installation view, 2017

Two works installed side by side on a wall: Spiritual Interview on the left and Wonderful Feeling on the right. Both are stylized portraits of figures wearing white and blue headpieces, depicted against an expressive background.

Embah, installation view, 2017

Three works installed on two adjacent walls. Spiritual Interview and Wonderful Feeling are on the right, while Face Value is installed on the back wall.

Embah, installation view, 2017

Four works installed in a gallery with gray walls. From left to right, Wonderful Feeling, Untitled, Charisma and Essence.

Embah, installation view, 2017

A painting depicting a crowd in celebration. Above them are three large depictions of people, resembling a triptych. The composition is filled with bright reds, blues, greens and pinks.

Embah

Untitled, 2006

Mixed media on canvas

25 × 35.5 in

Two eyes wearing sad expressions superimposed onto a light blue landscape, perhaps a cliff or a mountain, separated by a river or waterfall. Blue and white marks underneath the eyes suggest tears.

Embah

Face Value, 2009

Mixed media on canvas

41 × 32 in.

Press Release

“Once more I light a candle to celebrate values, social and cultural, that are slipping out of our grasp. These values, like light, are consistent with actions that require repetition to be constant.”– Embah, 1992.

White Columns is proud to present an exhibition to celebrate the life and work of the Trinidadian poet, musician, artist Emheyo Bahabba, aka ‘Embah’ (1937-2015). This will be White Columns’ second presentation of Embah’s work, following his celebrated 2007 solo exhibition (his first outside of his native Trinidad, which was organized with the support of the Trinidad-based artists Peter Doig and Chris Ofili.)

The present exhibition consists of a group of six paintings made between the 1993 and 2012, and together they articulate the full aesthetic range of Embah’s often visionary approach to both painting and the painted image. This group of paintings were originally sent by the artist to White Columns prior to his untimely passing in 2015: with a view that they might be presented together. This posthumous presentation is intended as a celebration of Embah’s life, work, and his extraordinary spirit.

Embah started making art in 1980. Self-taught, his work employs a rich, and highly complex visual vocabulary that often involves layered, overlapping and fragmentary imagery. His work simultaneously explores the quotidian (social) and spiritual realms, and invokes an open set of philosophical and psychological associations, referencing the social and cultural traditions (e.g. carnival, cricket), musical legacies (e.g. soca, calypso), folklore, and physical topographies of Trinidad and Tobago, as well as more determinedly personal and (auto)biographical narratives. His work often functions as a counterpoint to his own poetic writings. Embah once stated that this – open-ended, and somewhat cryptic – approach enabled him, as a Trinidadian artist “to present controversial statements – especially those related to culture – without adding to the already ungainly bulk of rhetoric.”

He will be greatly missed. RIP Emheyo Bahabba, 1937-2015.

Embah (b. 1937) lived and worked in Port of Spain, Trinidad. He had numerous solo exhibitions in Trinidad, including the CCA 7 Gallery, Port of Spain, (2004); Aquarela Galleries, Port of Spain, Trinidad (1989, 90, 91, 92); The National Museum and Art Gallery, Port of Spain (1982/84); and The American Center, Trinidad (1980.) Group shows include ‘Caribbean Art Now’, Commonwealth Institute, London (1986); ‘Seven Trinidadian Artists’, IFA Gallery, Bonn, Germany (1990); ‘Contemporary Paintings: Trinidad and Tobago’, October Gallery, London (1992); and ‘Sing Me A Rainbow: An Artist Medley From Trinidad and Tobago’ (1998, Meridian International Center, Washington D.C., and subsequent U.S. tour); and most recently the widely celebrated exhibition ‘Making & Unmaking’ curated by Duro Olowu at London’s Camden Arts Center (2016.)

For further information about this exhibition contact: info@whitecolumns.org

Gallery hours: Tuesday – Saturday / Noon – 6pm.

White Columns

320 West 13th Street

New York NY 10014

212-924-4212

www.whitecolumns.org

Two works installed on adjacent walls: Charisma on the left and Essence on the right. Essence is an irregularly shaped painting depicting ghostly figures dancing through an abstract landscape. Charisma depicts a central figure or structure behind a white beam, with two floating clocks to its right.
Two works installed side by side on a wall: Spiritual Interview on the left and Wonderful Feeling on the right. Both are stylized portraits of figures wearing white and blue headpieces, depicted against an expressive background.
Three works installed on two adjacent walls. Spiritual Interview and Wonderful Feeling are on the right, while Face Value is installed on the back wall.
Four works installed in a gallery with gray walls. From left to right, Wonderful Feeling, Untitled, Charisma and Essence.
A painting depicting a crowd in celebration. Above them are three large depictions of people, resembling a triptych. The composition is filled with bright reds, blues, greens and pinks.
Two eyes wearing sad expressions superimposed onto a light blue landscape, perhaps a cliff or a mountain, separated by a river or waterfall. Blue and white marks underneath the eyes suggest tears.

Embah, installation view, 2017 (Two works installed on adjacent walls: Charisma on the left and Essence on the right. Essence is an irregularly shaped painting depicting ghostly figures dancing through an abstract landscape. Charisma depicts a central figure or structure behind a white beam, with two floating clocks to its right.)

Embah, installation view, 2017 (Two works installed side by side on a wall: Spiritual Interview on the left and Wonderful Feeling on the right. Both are stylized portraits of figures wearing white and blue headpieces, depicted against an expressive background.)

Embah, installation view, 2017 (Three works installed on two adjacent walls. Spiritual Interview and Wonderful Feeling are on the right, while Face Value is installed on the back wall.)

Embah, installation view, 2017 (Four works installed in a gallery with gray walls. From left to right, Wonderful Feeling, Untitled, Charisma and Essence.)

Embah Untitled, 2006 Mixed media on canvas 25 × 35.5 in (A painting depicting a crowd in celebration. Above them are three large depictions of people, resembling a triptych. The composition is filled with bright reds, blues, greens and pinks.)

Embah Face Value, 2009 Mixed media on canvas 41 × 32 in. (Two eyes wearing sad expressions superimposed onto a light blue landscape, perhaps a cliff or a mountain, separated by a river or waterfall. Blue and white marks underneath the eyes suggest tears.)