Lobby: Ray Hamilton

June 11–July 26, 2014 320 West 13th Street Lobby
Five framed artworks installed sporadically on a white wall.

Ray Hamilton, installation view, 2014

Three framed artworks installed on a wall. The handrail of a staircase is partially visible at the bottom of the image.

Ray Hamilton, installation view, 2014

An abstract work composed of large blocky areas of primarily blue, green and red.

Ray Hamilton
Untitled, N.D.
Mixed media on paper
14 × 17 in.

A work on paper featuring written text and a drawing of eight green pears.

Ray Hamilton
Untitled, N.D.
Mixed media on paper
17 × 14 in.

An artwork on an off-white background featuring painted lettering and illustrations of various indeterminate objects and figures, including two figures.

Ray Hamilton
Untitled, N.D.
Mixed media on paper
14 × 16.5 in.

Press Release

White Columns is pleased to present a focused display of works on paper by the self-taught artist Ray Hamilton (b. 1919 Columbia, South Carolina, died 1996 Brooklyn, New York.) Little is known about Hamilton’s early life prior to his participation in H.A.I.’s art workshop program in the 1980s. (H.A.I. is a New York non-profit organization that supports artists with mental, physical and developmental disabilities. Originally known as Hospital Audiences Inc., the organization was recently renamed Healing Arts Initiative). The exhibition includes works made both prior to and after Hamilton suffered a debilitating stroke at the age of 71 in 1990. Hamilton’s drawings, which typically incorporate the artist’s name and a declaration of his citizenship were a way for him to observe, record, and organize his daily realities. Sometimes incorporating images of his art materials (brushes, paints etc.) Hamilton’s drawings – particularly those made post-stroke, when he started to rely on his non-dominant hand – often took the form of ‘tracings’ of common objects and were, according to Kerry Schuss, a way of describing ”… whatever was nearby. Obsessively cataloging … repeating and reckoning, he cataloged his life as a way of passing time and bearing witness.” Ray Hamilton’s work was most recently the subject of a two-person exhibition (with Agnes Lux) at Kerry Schuss, New York (2012). (This is White Columns’ fifth collaboration with H.A.I. Previous projects include our presentation of work by H.A.I. affiliated artists at the 2014 Frieze New York art fair, and a solo exhibition of H.A.I. affiliated artist Rocco Fama’s drawings in our Project Room in 2013. For more information about H.A.I. visit: www.hainyc.org)

Five framed artworks installed sporadically on a white wall.
Three framed artworks installed on a wall. The handrail of a staircase is partially visible at the bottom of the image.
An abstract work composed of large blocky areas of primarily blue, green and red.
A work on paper featuring written text and a drawing of eight green pears.
An artwork on an off-white background featuring painted lettering and illustrations of various indeterminate objects and figures, including two figures.

Ray Hamilton, installation view, 2014 (Five framed artworks installed sporadically on a white wall.)

Ray Hamilton, installation view, 2014 (Three framed artworks installed on a wall. The handrail of a staircase is partially visible at the bottom of the image.)

Ray Hamilton Untitled, N.D. Mixed media on paper 14 × 17 in. (An abstract work composed of large blocky areas of primarily blue, green and red.)

Ray Hamilton Untitled, N.D. Mixed media on paper 17 × 14 in. (A work on paper featuring written text and a drawing of eight green pears.)

Ray Hamilton Untitled, N.D. Mixed media on paper 14 × 16.5 in. (An artwork on an off-white background featuring painted lettering and illustrations of various indeterminate objects and figures, including two figures.)