Mike Tierney – curated by Peter Doig

September 12–October 25, 2014 320 West 13th Street
A heart-shaped sculpture with rough edges and a white vignette. Central in the composition is a snow-capped mountain ridge in front of a partly cloudy blue sky.

Mike Tierney
Cody Heart 2, 2014
High density foam, spray paint, epoxy resin
22.75 × 24 × 2.5 in.

Two painted panels hang from chains next to each other on a white wall. The panels depict a snowy mountainside with a clear blue sky above.

Mike Tierney
Igneous Rocks Central Coulior, 2013 – 2014
Corrugated steel panel, spray paint, steel trim, chains
Diptych: 83 × 38.5 in. each

A horizontal wooden panel depicts a snowscape with a central mountain range. The background is unpainted so that the natural wood grain is visible.

Mike Tierney
Wood Sky Chief, 2014
Dry wall, joint compound, spray paint, beetle killed lodgepole pine, resin (glow in the dark)
24.5 × 72 in.

A framed image of a snowy mountain range set against a clear blue sky.

Mike Tierney
Corbet’s Coulior, 2014
MDF, spray paint, epoxy, painted poplar frame
34 × 24.5 in.

Press Release

White Columns is proud to present the first New York solo exhibition of work by the Jackson Hole, Wyoming-based artist and skier Mike Tierney.

The exhibition has been organized by the artist Peter Doig.

A legendary extreme skier Mike Tierney (b.1977) is a self-taught artist who moved to Jackson Hole, Wyoming, aged 19 to paint skis at the Igneous Ski factory – a manufacturer of custom skis suited to cliff-jumping and back country skiing. Mike Tierney’s goal was to make the skis look as “awesome as they skied.” Mike now heads up Igneous’s Research & Design department riding, testing and painting their unique custom-made skis. Peter Doig met Mike two years ago on a skiing trip to Jackson Hole, seeing his art for the first time at Igneous’s headquarters. A friendship developed based around their mutual interests in skiing and art. Tierney’s work invariably focuses on the Wyoming landscapes that inspire him – including such celebrated skiing sites as Cody’s Peak, No Name mountain, and  Corbett’s Couloir (also known as “America’s scariest ski slope”) –  places where Tierney regularly skis and has “experienced so much magic.“ Informed as much by street art – he acknowledges the impact of Banksy’s stencil techniques on his own approach – as the traditions of mythic Western landscape painting , Tierney’s exhibition at White Columns, his first outside Jackson Hole includes paintings, reliefs, and sculptural work largely created with the same materials – sustainably-sourced wood, spray paint, stencils, and layers of resin – employed in the custom-ski manufacturing process.

White Columns would like to thank Mike Tierney for his commitment to this exhibition. We would also like to thank Peter Doig for introducing us to Mike’s work.

A heart-shaped sculpture with rough edges and a white vignette. Central in the composition is a snow-capped mountain ridge in front of a partly cloudy blue sky.
Two painted panels hang from chains next to each other on a white wall. The panels depict a snowy mountainside with a clear blue sky above.
A horizontal wooden panel depicts a snowscape with a central mountain range. The background is unpainted so that the natural wood grain is visible.
A framed image of a snowy mountain range set against a clear blue sky.

Mike Tierney, Cody Heart 2, 2014, High density foam, spray paint, epoxy resin 22.75 × 24 × 2.5 in. (A heart-shaped sculpture with rough edges and a white vignette. Central in the composition is a snow-capped mountain ridge in front of a partly cloudy blue sky.)

Mike Tierney, Igneous Rocks Central Coulior, 2013 – 2014, Corrugated steel panel, spray paint, steel trim, chains, Diptych: 83 × 38.5 in. each (Two painted panels hang from chains next to each other on a white wall. The panels depict a snowy mountainside with a clear blue sky above.)

Mike Tierney, Wood Sky Chief, 2014, Dry wall, joint compound, spray paint, beetle killed lodgepole pine, resin (glow in the dark), 24.5 × 72 in. (A horizontal wooden panel depicts a snowscape with a central mountain range. The background is unpainted so that the natural wood grain is visible.)

Mike Tierney, Corbet’s Coulior, 2014, MDF, spray paint, epoxy, painted poplar frame, 34 × 24.5 in. (A framed image of a snowy mountain range set against a clear blue sky.)