White Room: Janice Guy
February 22–March 30, 2008Untitled, n.d. (ca 1979)
Untitled, n.d. (ca 1979)
Untitled, n.d. (ca 1979)
Untitled, n.d. (ca 1979)
Untitled, n.d. (ca 1979)
Untitled, n.d. (ca. 1979)
Untitled, n.d. (ca. 1979)
Untitled, n.d. (ca. 1979)
Untitled, n.d. (ca. 1979)
Untitled, n.d. (ca. 1979)
Untitled, n.d. (ca. 1979)
Untitled, n.d.
Untitled
Untitled, n.d.
Untitled, n.d. (ca. 1979)
White Columns is pleased to present the first New York solo exhibition of Janice Guy’s vintage photographs. Produced in the late 1970s in Dusseldorf – where she had studied with Bernd and Hilla Becher – Guy’s photographs have not been seen since 1979, when she had her only solo exhibition at Galerie Ricke in Cologne.
Consisting of a group of unique, black and white vintage silver gelatin prints (some of which are hand-tinted), and shot in the artist’s domestic space, Guy’s work depicts the artist self-consciously engaged in the act of photographing herself. Exploring questions of narcissism, objectification, and the processes of representation Guy’s works can be understood as part of a complex interrogation of identity-related image-making that includes work by Dan Graham, Hannah Wilke, and Urs Luthi, among others.
Guy’s photographs first re-surfaced in the White Columns’ exhibition “Early Work” – organized by White Columns, the artist Marilyn Minter, and curator Fabienne Stephan – in 2007.
Guy abandoned art making in the early 1980s and is now better known as the co-director of the New York gallery Murray Guy.