Gerasimos Floratos

March 1–April 16, 2016 320 West 13th Street
Local Soft Body installed beside the stairs to the gallery. The painting depicts a partially obscured blue anthropomorphic dog or rabbit.

Gerasimos Floratos, installation view, 2016

Two paintings installed on adjacent walls: Town Square Alignment on the left and Midtown Postup on the right. Both are semi-abstract works incorporating bold lines and bright colors.

Gerasimos Floratos, installation view, 2016

Two paintings installed on adjacent walls: Tristate Allstars on the left, and the abstract Untitled (Figure) on the right. Tristate Allstars depicts two figures resembling illustrated b-boy mascots.

Gerasimos Floratos, installation view, 2016

Local Soft Body and Bway Headache installed on adjacent walls. Local Soft Body depicts a dog or rabbit, while Bway Headache depicts a green figure against an array of colors.

Gerasimos Floratos, installation view, 2016

Three large paintings installed on adjacent walls: to the left, Mystic Taxi, and to the right TS Dual Postup and Untitled.

Gerasimos Floratos, installation view, 2016

Thirteen works installed along three walls. To the left are eleven works hung salon style on the wall. On the back wall a large painting, Midtown Minion, is installed, and a smaller untitled work is to the right.

Gerasimos Floratos, installation view, 2016

Three works installed on nearby walls. The work on the right is Untitled, a monochromatic drawing with thick, bold blue lines.

Gerasimos Floratos, installation view, 2016

Nineteen works on paper installed salon-style on a wall.

Gerasimos Floratos, installation view, 2016

An exaggerated drawing of a person with a small body and very large face and head, rendered in thick dark teal strokes on a plain white background.

Gerasimos Floratos

Untitled, 2015

Acrylic on paper

18 × 24 inches

Press Release

White Columns is proud to present the first New York solo exhibition by Gerasimos Floratos (b. 1986, New York.) Floratos’s exhibition comprises of eleven large-scale oil-on-canvas paintings and a group of related works on paper.

Gerasimos Floratos was raised – and still lives and works – in New York’s Times Square neighborhood, where his family run a deli (and where the artist worked until recently.) A self-taught artist, Floratos’s studio is housed in a nearby Theater District basement – in the same 48th Street building where John Lennon’s final album was recorded – where most days he paints accompanied by a soundtrack of hip-hop and reggae.

Floratos’s paintings are ‘site specific’, together they might be read as a ‘portrait’ of the ebb and flow of life in Times Square, one of the world’s busiest intersections: a place that has been described as “the center of the universe.” Into this turbulent narrative, Floratos inserts himself and his own family’s history, effectively creating an autobiographical account of life at “the crossroads of the world.” (An image of the globe is a recurring motif in Floratos’s work.)

The characters in Floratos’s paintings – the hustlers, the dealers, the panhandlers, the costumed street-performers, the taxi drivers, the tourists, and the artist himself – take center stage in the paintings, acting out their assigned roles in the daily street-theater of ‘The Great White Way.’ The individuals who populate Floratos’s paintings are observed from life, but are subsequently exaggerated – amplified, elongated, even concertinaed – in a manner that echoes both the comic book-stylings of Robert Crumb and the late work of Philip Guston.

These are determinedly paintings of, by and about New York. Writing about Floratos’s relationship with Times Square the artist Ross Simonini has suggested: “Floratos thrives in this place, dives into crowds and maneuvers through the never-ending avalanche of tourists flowing down Broadway … He was raised inside this electricity and the feeling of it is inextricable from his art. “

The exhibition is accompanied by a color ‘zine made collaboratively by Floratos and Eddie Martinez.  (A special edition of twenty copies of the ‘zine have been uniquely customized and signed by the two artists: details available from the gallery.) White Columns is grateful to Eddie Martinez for introducing us to Gerasimos and his work.

Gersamimos Floratos (b. 1986, New York) had a solo exhibition – ‘Times Square Paintings’ – at Sorry We Are Closed, Brussels, Belgium in 2015. His work has been included in recent group shows at Alter Space, San Francisco (2016); Harper’s Books, East Hampton, NY (2015); and Know More Games, NY (2015); among others.

For more information contact: info@whitecolumns.org

Publication

Local Soft Body installed beside the stairs to the gallery. The painting depicts a partially obscured blue anthropomorphic dog or rabbit.
Two paintings installed on adjacent walls: Town Square Alignment on the left and Midtown Postup on the right. Both are semi-abstract works incorporating bold lines and bright colors.
Two paintings installed on adjacent walls: Tristate Allstars on the left, and the abstract Untitled (Figure) on the right. Tristate Allstars depicts two figures resembling illustrated b-boy mascots.
Local Soft Body and Bway Headache installed on adjacent walls. Local Soft Body depicts a dog or rabbit, while Bway Headache depicts a green figure against an array of colors.
Three large paintings installed on adjacent walls: to the left, Mystic Taxi, and to the right TS Dual Postup and Untitled.
Thirteen works installed along three walls. To the left are eleven works hung salon style on the wall. On the back wall a large painting, Midtown Minion, is installed, and a smaller untitled work is to the right.
Three works installed on nearby walls. The work on the right is Untitled, a monochromatic drawing with thick, bold blue lines.
Nineteen works on paper installed salon-style on a wall.
An exaggerated drawing of a person with a small body and very large face and head, rendered in thick dark teal strokes on a plain white background.

Gerasimos Floratos, installation view, 2016 (Local Soft Body installed beside the stairs to the gallery. The painting depicts a partially obscured blue anthropomorphic dog or rabbit.)

Gerasimos Floratos, installation view, 2016 (Two paintings installed on adjacent walls: Town Square Alignment on the left and Midtown Postup on the right. Both are semi-abstract works incorporating bold lines and bright colors.)

Gerasimos Floratos, installation view, 2016 (Two paintings installed on adjacent walls: Tristate Allstars on the left, and the abstract Untitled (Figure) on the right. Tristate Allstars depicts two figures resembling illustrated b-boy mascots.)

Gerasimos Floratos, installation view, 2016 (Local Soft Body and Bway Headache installed on adjacent walls. Local Soft Body depicts a dog or rabbit, while Bway Headache depicts a green figure against an array of colors.)

Gerasimos Floratos, installation view, 2016 (Three large paintings installed on adjacent walls: to the left, Mystic Taxi, and to the right TS Dual Postup and Untitled.)

Gerasimos Floratos, installation view, 2016 (Thirteen works installed along three walls. To the left are eleven works hung salon style on the wall. On the back wall a large painting, Midtown Minion, is installed, and a smaller untitled work is to the right.)

Gerasimos Floratos, installation view, 2016 (Three works installed on nearby walls. The work on the right is Untitled, a monochromatic drawing with thick, bold blue lines.)

Gerasimos Floratos, installation view, 2016 (Nineteen works on paper installed salon-style on a wall.)

Gerasimos Floratos Untitled, 2015 Acrylic on paper 18 × 24 inches (An exaggerated drawing of a person with a small body and very large face and head, rendered in thick dark teal strokes on a plain white background.)