Alice Aycock
Sculpture and Photographs
Alice Aycock, Stairs – These Stairs Can Be Climbed, installation view, wood, 9’8″ × 14’2″ × 13’4″, 1974
Alice Aycock, Stairs – These Stairs Can Be Climbed, installation view, wood, 9’8″ × 14’2″ × 13’4″, 1974
Alice Aycock, Tropico de Cancer in Sculpture and Photographs, boundary line, latitude 23.5º N., Tampulipas, Mex., 9 photographs, 8″x10″, 1973
Alice Aycock, Six Semi Architectural Projects, installation view, 1974
Alice Aycock, Maze (SE Entrance) in Sculpture and Photographs, 1974
Alice Aycock, Maze (Interior View) in Sculpture and Photographs, 1974
Alice Aycock, Maze in Sculpture and Photographs, 1974
Alice Aycock, Maze in Sculpture and Photographs, 1974
Alice Aycock, Low Building with Dirt Roof in Sculpture and Photographs, 1974
Alice Aycock, Low Building with Dirt Roof in Sculpture and Photographs, 1974
Alice Aycock, Room with Spotlight, installation view, 1974
Alice Aycock, Room with Spotlight, installation view, 1974
Exhibition Discription
In her first one-person show, Alice Aycock featured work from 1971-1974. The earliest pieces were conceptual photographic works, which showed how the artist crossed boundaries and examined directions in nature. Another work, Sun/Glass, documented a piece in which seven rows of mirrors placed in a field reflected the sun’s path across the sky. The artist’s circular wooden maze and low building with stone walls and sod roof (made on a Pennsylvania farm) were also presented through documentary photos. In the workshop, the artist installed an enormous wooden structure entitled Stairs–These Stairs Can Be Climbed.
Excerpted from Brentano, R., & Savitt, M. (1981). 112 Workshop, 112 Greene Street: History, artists & artworks. New York: New York University Press.