Gallery view at an angle. Nearest to the viewer, a sculpture of an abstractly painted dresser drawer rests atop a plinth; painted black text on the drawer’s side reads “OF DEATH.” On the center free-standing wall hangs a large abstract painting. Installed on the floor to the left, a painted sandwich board reads “WHAT PART OF KEEP OUT.” On the rear wall hang six smaller paintings with painted text.
November 10–December 17, 2022

Cay Bahnmiller
Installed on the floor by the front left wall is a multi-panel work depicting abstract and figurative images. On the back wall are four tie-dyed and screen-printed silk wall hangings with text and abstract images. From left to right, in hand-drawn capital letters, they read: “African Bird Dynasty,” “Order Justice Domination,” “Life in memory with art and nature,” and “The same but different.”
September 23–October 29, 2022

Ntiense Eno-Amooquaye
African Bird Dynasty
Multiple sculptures, framed works, and large photographs are installed in a gallery.
March 19–April 30, 2022

Lloyd Foster
Safe Journey
Detail view of Gaping Candle Tripod. A piece of brick affixed to a similarly shaped piece of plywood with yellow epoxy. A long wick extends from a wax-filled hole in the brick.
September 27–December 15, 2018

Katya Tepper
Gallery view of a wall displaying sixteen White Columns Anniversary Editions. Two vitrines are placed in front of the wall, and to the right stand three mannequins, facing the window.
June 5–July 31, 2021

From The Archives:
White Columns & 112 Greene Street – 1970-2021 …
Gallery interior with a white column. Three wall-mounted mixed media collages and three clothed mannequins are visible.
March 23–May 15, 2021

Gerald Jackson
Three free standing sculptures and seven paintings installed in a gallery with a white column.
January 12–March 6, 2021

Jeffrey Meris
Still Standing
Five pieces of significantly differing sizes installed on adjacent walls.
January 23–March 7, 2020

Anne Minich
Several illuminated neon signs installed along the walls of a gallery with three columns. The rest of the space is empty except for a table to the left with postcards displayed on stands.
September 22–December 12, 2020

Maya Stovall

LUX
Side view of Winalagalis (War Spirit) Puppet, 2015, seated in a folding chair and facing a TV monitor which plays static.
March 16–May 4, 2019

Beau Dick

Devoured by Consumerism
Seven works installed in a row along a wall in the background. In the foreground, several freestanding vitrine display tables are visible.
April 24–June 2, 2018

Michael H. Shamberg / Archive
Eight works of various sizes installed on adjacent walls: three on the left wall and five on the right. All are abstract paintings, with the exception of the text collage to the far left.
June 29–September 15, 2018

Paul Bloodgood
Three paintings installed on white walls. Entrée, 2019 is installed on the left wall, while Collections Permanentes, 2019 is on the right and Gratuite, 2019 at the back.
November 14, 2019–January 11, 2020

Esteban Jefferson

Petit Palais
Works by various artists installed on white walls. Works are grouped by artist and each group is enclosed in a colorful rectangular outline. There are two freestanding vitrine display tables.
September 24–November 2, 2019

HEALING ARTS!
Work from the archives of Healing Arts Initiative
Five paintings on white walls. The four on the right wall each feature a nature scene enclosed within the silhouette of a vase. On the back wall is a painting of a potted orchid stretching dynamically.
June 27–September 7, 2019

Ed Baynard
A burning stick of incense held upright by a small, white, rectangular incense holder.
June 11–July 25, 2015

White Room: ‘#FFFF (Five Fragments For Feature)’
An installation by Sam Gordon
Eight large works installed on walls in a gallery. In the lower left corner, a partial view of a table on which similar, much smaller works are laid out in groups.
November 14, 2019–January 11, 2020

Wilder Alison

Slit Subjects