White Columns is pleased to present an evening of sound, installation, and performance in collaboration with Precog. Precog is an independent magazine that explores science, technology, techno plastics, cyber culture and feminism. To celebrate the launch of the magazine’s ninth volume, artists Kamari Carter, Emiri Fujimoto, and Timmy Simonds will share with attendees individual performances throughout the event. 

Kamari Carter will give a timed sound performance exploring nature, relationships, and memory.

Emiri Fujimoto will perform a durational artwork involving usable sculpture and audience interaction.

Timmy Simonds will demo a tool, called “Not I,” that he uses to meet with groups of teachers.

Please join us at White Columns on Saturday, April 4, from 5 to 7:30pm.

For more information about this event, please contact info@whitecolumns.org

For press inquiries, contact violet@whitecolumns.org

Kamari Carter (b.1992) is a New York-based producer, performer, sound designer, and installation artist primarily working with sound and found objects. His practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Carter’s work has been exhibited in institutions such as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, and WaveHill. He has been featured in a range of publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter received his BFA in Music Technology from California Institute of the Arts and his MFA in Sound Art from Columbia University. Carter is represented by Microscope Gallery in New York City.

Emiri Fujimoto (b. 1999) is a New York-based artist that makes sculptures and installations revolving around performative action and site responsiveness. Fujimoto’s work has been exhibited in institutions such as Distillery Gallery and Myma. Fujimoto received her BFA in Visual and Critical Studies from the School of Visual Arts and an MFA in Sculpture from Cranbrook Academy of Art.

Timmy Simonds (b. 1989) is a New York-based artist and educator that makes sculptures and performances reflecting on forms of care, control, and communication. His work takes the form of diaphanous objects, precarious processes of preserving and tending to organic growth, documents of these activities, and participatory exercises that he leads as performances in person, as broadcasts over the radio, and in print through text and drawing. Simonds’ work has been exhibited in institutions such as Museo de Arte Carillo Gil, Fall River MoCA, Burlington City Arts, Greene Naftali, Kai Matsumiya, Studio Route 29’s Beauty Gallery, Knockdown Center, Cleopatra’s, Cathouse Proper, Spencer Brownstone, Special Special and Rond-Point Projects. He has shared his writing in magazines including PIN-UP and through talks and workshops at Yale, Princeton, Brown, Pratt Institute, Pace, Cornell, and Ecole Polytechnique Federale Lausanne. Simonds received his MA in Performance Studies and his BA in Architectural Studies & Performance Studies from Brown University. Simonds was awarded a NYSCA Artist Grant in 2024. He was an artist in residency at Triangle France in 2016.

White Columns
91 Horatio Street
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